A comparison of Nubian sandstones from a New Kingdom temple with ancient quarries on Sai Island

Uncovering the origins of the sandstone used in the construction of ancient monuments offers a unique glimpse into the interplay between natural resources as well as human craftsmanship and interaction. On Sai Island, nestled in the Nile between the 2nd and 3rd cataracts in Northern Sudan, lies Temple A, an 18th Dynasty Egyptian structure. The sandstone used in its construction, sourced from the island’s abundant deposits, has long piqued the curiosity of archaeologists and geologists alike. A recent study delves into the mineralogical and geological characteristics of these sandstones, seeking to uncover their precise origins and the choices made by ancient builders.

The investigation centered on sandstone samples taken from Temple A, and three nearby quarries. Using advanced analytical tools such as polarization microscopy, scanning electron microscopy, and micro-Raman spectroscopy, we were able to analyze the stones in detail. The sandstone clasts were found to be composed predominantly of quartz, making up 90–95%, with minor contributions from feldspar and lithoclasts. Clay minerals like kaolinite and illite were present in varying amounts, forming part of the stone’s matrix. The stones also contained traces of iron-titanium oxides, which had undergone alterations over time due to natural chemical processes.

The study revealed that the sandstone used in Temple A was more finely sorted and contained smaller grain sizes compared to the samples from the quarries (Figure 1a-d). This finding suggests that the builders deliberately selected stones with uniform characteristics to ensure consistency in the temple’s appearance. The lighter color and moderate sorting of the temple sandstone contrast with the darker, poorly sorted stones found at the quarry and outcrops. This selective quarrying points to a sophisticated understanding of the properties of building materials and a meticulous approach to construction.

However, determining the exact source of the sandstone used in Temple A proved challenging. Despite the similarities in composition between the temple stones and the natural occurrences, the analysis could not definitively link the building materials to a specific quarry. We suggest that the stones likely originated from the same geological formation but does not rule out the possibility of multiple extraction sites within the island.

The presence of minerals such as kaolinite and illite in the sandstone’s matrix provided further insights into the geological history of these rocks. These minerals form under specific environmental conditions and suggest that the sandstone underwent stages of weathering and burial over geological time. Iron-titanium oxides, including ilmenite and its altered forms, indicated processes of chemical transformation as the stones interacted with water and other environmental factors. These transformations reflect the dynamic geological history of Sai Island, where tectonic forces and sedimentary processes shaped the materials long before they were quarried for use in ancient architecture.

While the exact quarrying practices remain unclear, the findings underline the care and intentionality that went into selecting construction materials. The builders of Temple A seemed to prioritize not only structural integrity but also the aesthetic qualities of the stone.

The study of the sandstone from Sai Island is a window into the decisions and practices of colonial Egypt in Nubia during the New Kingdom. Through understanding the material choices of the past, we gain a greater appreciation for the deep relationship between humanity and the natural world. Further investigations, including detailed geological mapping and isotopic analyses, could reveal even more about the origins of these stones and the history they carry.

Sai Island’s sandstone is more than a building material—it is a testament to the resourcefulness and artistry of its ancient inhabitants. Each grain of sand holds a story, shaped by eons of natural forces and, ultimately, by human hands. By unraveling these stories, we not only connect with the past but also deepen our understanding of the intricate connections between geology, culture, and time.

Back in the spotlight: the sandstones of Sai

I am very pleased to announce the next DiverseNile Seminar. On 26th November, our PostDoc Fabian Dellefant will talk about the sandstones of Sai. Some of you may know that we have already analysed them as part of the AcrossBorders project.

However, what was published in 2020 was a preliminary investigation of sandstone petrography using only polarization microscopy. This study offers a basic understanding, but the attribution of samples to distinct quarrying locations on Sai remained uncertain due to limited data descriptions and micrographs. Providing more detailed descriptions, data, and micrographs would greatly enhance the clarity and coherence of the sedimentary rock groupings, offering valuable insights into the provenance of the Nubian sandstones and the sourcing practices of the builders of Temple A.

Therefore, I am delighted that Fabian will present the results of his re-investigation whether the origin of the Nubian sandstones from Temple A can be specifically traced back to local quarries associated with the New Kingdom town.

Don’t miss this exciting seminar on the exploitation of sandstones and quarry work in New Kingdom Nubia!

Towards a better understating of taskscapes in colonial towns of Nubia: The case study of re-used sherds

Back in 2022, I attended a very nice workshop in Mainz: “Excavating the Extra-Ordinary 2. Challenges and merits of workings with small finds“. The proceedings of this event are now published and available in open access.

I am delighted that the book includes my contribution focusing on re-used sherds, presenting the case study from Sai Island.

I also address the question of lids – are these small finds? or pottery vessels? and how shall we deal with them? This also applies to some interesting findings in the MUAFS concession I have discussed earlier on this blog.

The main objective of my chapter in the Mainz volume, apart from advertising reused pottery sherds as extremely exciting (but also challenging) category of finds, was to highlight the concept of object biography and taskscapes which we apply to the Attab to Ferka region (Budka 2024).

I argue that reused ceramic sherds were chosen based on the colour, porosity, stability and hardness of the individual pieces which depend on the specific fabric (see Raedler 2007). Similar to the chaîne opératoire reconstructed by Kate Fulcher for painting materials from Amara West (Fulcher 2022) or by Giulia D’Ercole for pottery from the Middle Nile (D’Ercole 2024), the task of producing sherd tools can involve a number of different places, people and actions. The production process as well as the activities carried out with the newly created tool are well suited to consider tool kits and dynamics taskscapes in ancient landscapes and micro-contexts (for the concept of taskscape see Ingold 1993).

The technical choices are based on the cost (time and resources), availability and workability of the raw materials, in this case the fabric of the chosen sherd. The latter also determines the tools necessary for reworking a sherd (e.g., smoothing the edges or piercing the pottery). There are also important questions regarding what time of year the sherd tools would have been produced. Although most of the tools were most likely produced ad hoc, pottery making was probably mostly a seasonal activity. As such the making of sherd tools may also have been primarily carried out on a seasonal basis, in particular for tools used in pottery workshops.

SAV1W 1671 – a sherd from a basketry impressed Nubian vessel, reused in the New Kingdom town.

Particularly interesting are tools from the New Kingdom town of Sai which were made from Nubian style vessels. For example, SAV1W 1671 is a circular sherd with a central perforation from a basketry impressed Nubian cooking pot, presumably used as a weight. Although, given the lightness of the material, this piece could have been a token rather than a weight. In many cases, we can also assume that reused sherds have multifunctional uses.

SAV1W 1533, a sherd tool made from a Black-topped Kerma vessel.

Another soft Nubian example for a sherd tool is the rim sherd of a Black-topped Kerma vessel, SAV1W 1533. This object fits nicely in the hand, and it is possible to get a good grip, thanks to the rim and the rather soft material. The burnished surface suggests it was more likely used as a spoon rather than as a scraper.

These are just a few examples to show how relevant reused sherds are for questions relating to everyday life and activities. Altogether, in order for reused sherds to contribute to a better understating of taskscapes in ancient Egypt and Nubia, these intriguing objects need to be studied in a more integrated way.

References

Budka 2024 = Budka, J., Processing Reused Pottery from Settlement Contexts in Egypt and Nubia: Challenges & Potential, in Kilian, Andrea, Pruß, Alexander und Zöller-Engelhardt, Monika (Hrsg.): Excating the Extra-Ordinary 2: Challenges & Merits of Working with Small Finds. Proceedings of the International Workshop at Johannes Gutenberg University Mainz, 25–26 November 2022, Heidelberg: Propylaeum, 2024, 83–124. https://doi.org/10.11588/propylaeum.1382.c19771

DʼErcole 2024 = D’Ercole, G., Material meanings, technology and cultural choices: Pottery production in Late Bronze Age Nubia, in: Budka, J./Lemos, R. (eds), Landscape and resource management in Bronze Age Nubia: Archaeological perspectives on the exploitation of natural resources and the circulation of commodities in the Middle Nile, Contributions to the Archaeology of Egypt, Nubia and the Levant 17, Wiesbaden 2024, 207-221

Fulcher 2022 = Fulcher, K., Painting Amara West: The technology and experience of colour in New Kingdom Nubia, British Museum Publications on Egypt and Sudan 13, Amara West Research Publications 1, Leuven 2022.

Ingold 1993 = Ingold, I., The temporality of the landscape, World Archaeology, 25(2), 1993, 152−174. Raedler 2007 = Raedler, C., Keramikschaber aus den Werkstätten der Ramses-Stadt, in: Pusch, E.B. (ed.), Die Keramik des Grabungsplatzes Q I. Teil 2: Schaber – Marken – Scherben, Hildesheim 2007, 9−266.

Raedler 2007 = Raedler, C., Keramikschaber aus den Werkstätten der Ramses-Stadt, in: Pusch, E.B. (ed.), Die Keramik des Grabungsplatzes Q I. Teil 2: Schaber – Marken – Scherben, Hildesheim 2007, 9−266.