Archiv des Autors: Hassan Aglan

Analysing spatial patterns in GiE 003: The unusual gap in Trench 3

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The post-excavation processing of the Kerma cemetery GiE 003 is in full swing (see also an earlier blog post). There are some interesting observations regarding the diachronic development of the site and also its spatial organisation. A case study on the latter is presented below.

Trench 3 excavated in GiE 003 yielded Classic Kerma burial pits (Budka et al. 2023, Budka 2024). The trench is situated in the northwestern extent of our excavations at the site. It shows a relatively large area on its eastern side in which no burial pits were found. This apparent ‘gap’ contrasts with the surrounding areas, which show dense burial activity and graves laid out very regularly in the same orientation. Such a deliberate avoidance of this area raises some questions about ceremonial practices associated with the cemetery’s use.

Plan of Trench 3 in GiE 003 with Kerma burial pits and an area void of graves around an irregular pit.

In the middle of the area in question, a shallow depression with an irregular outline was found. First thought to be an unfinished burial pit, it might in fact be a marog-digging pit. Its dimensions are 1.97 meters in length, 1.67 meters in width, and 0.23 meters in depth.

Possible marog-digging pit in Trench 3 after excavation. Photo: J.M.A. Gomez, © DiverseNile project.

The pit was dug into the alluvial soil and found filled with compacted sand, containing numerous brownish-grey clay clumps, medium to large in size,. Some human remains were found in the northeastern part of the pit − most likely coming from nearby burial pits. Most of the burials in Trench 3 appear to have been looted and dispersed human bones were found across the surface of the trench.

Of course, it is also possible that the pit itself was cut by the ancient looters (maybe in Medieval times) when they were looking for burial pits at the site.

Nevertheless, the gap between the otherwise evenly aligned east-west graves is unlikely to be coincidental. One possible explanation for the gap in burial pits in Trench 3 is that we have cut into an area used for funerary practices and intentionally kept clear of graves. Although, as we have not excavated the entire cemetery, this is still difficult to fully judge.

Interestingly, similar spatial patterns can be observed at Ukma, another provincial Kerma cemetery, where areas void of graves are in particular present in the southern part between Classic Kerma burial pits which are comparable to those at GiE 003 (see Vila 1987, general plan of the site). These recurring patterns suggest that such gaps were common in Kerma cemeteries.

Further analysis, including additional excavations of GiE 003 and comparison with other Kerma cemeteries, might allow us to better understand the reasons for these gaps. A better comprehension of the spatial dynamics of Trench 3 within the context of GiE 003 could provide new insights into patterns of funerary practices during Kerma times.

References:

Budka et al. 2023 = Budka, J., Rose, K., Ward, C., Cultural diversity in the Bronze Age in the Attab to Ferka region: new results based on excavations in 2023, MittSAG 34 (2023), 19–35.

Budka 2024 = Budka, J., Introduction. Regionality of resource management in Bronze Age Sudan: an overview and case studies, in: J. Budka and R. Lemos (eds), Landscape and resource management in Bronze Age Nubia: Archaeological perspectives on the exploration of natural resources and the circulation of 751 commodities in the Middle Nile; Wiesbaden 2024, 19–33.

Vile 1987 = Vila, A. (avec les contributions de Guillemette Andreu et de Wilhem van Zeist), Le cimetière kermaïque d’Ukma Ouest, Paris 1987.

Reconstructing the burial of Feature 50 in cemetery GiE 003

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I’m thrilled and privileged to have become part of the DiverseNile team in November 2023. My primary role entails consolidating and organizing the data on the variability of funerary monuments excavated in the Attab to Ferka region of Northern Sudan during the 2022 and 2023 seasons. Our PI Julia Budka has given me the specific task of preparing the documentation of Feature 50 from Trench 5 in the Kerma cemetery GiE 003 (see Budka 2022). Interestingly, this burial shows many features associated with the Pan-Grave culture.

Different models of Feature 50.

The filling of Feature 50 comprised a diverse array of artifacts (see Budka, Rose, Ward 2023, 34), including pottery sherds, bones of at least one individual and three goats, beads, remnants of a wooden bed, alongside a mix of dense clay or mud fragments. The latter might have constituted a section of the superstructure wall surrounding the burial (cf. Irish 2007, 59, Figs. 2-3). Due to their dispersed nature within the tomb, not all of these finds were unearthed together or found within a single layer, necessitating their documentation either partially or separately. 

Using Metashape and Adobe Photoshop to rectify photos.

Because different parts of the same level were documented separately, I endeavored to amalgamate all these disparate 3D models into one comprehensive representation using Adobe Illustrator. This involved consolidating all the finds in a unified layout. Additionally, I utilized site photos, rectified them through programs like Metashape or Photoshop, and incorporated them into the combined models.

Using close-up photos for the finer details

I also leveraged daily site information, occasionally using the models as close-ups for finer details. Furthermore, throughout this process, I engaged in numerous discussions with Julia to ensure accuracy and completeness. 
In the end, through our collaborative efforts, we successfully integrated all elements into a single cohesive representation, meticulously illustrated using Adobe Illustrator.

I and Julia Budka discussing the different details of Feature 50.

The clarity of having everything consolidated sparked the idea of creating a reconstruction view using Adobe Illustrator. Inspired by this, I began exploring parallel cemeteries associated with the Pan-Grave horizon, including C-group burials (which are a bit earlier but nevertheless useful parallels). To enhance the visualization, I utilized Photoshop to craft different positions for the goat skeletons. However, despite these efforts, the original view remained somewhat unclear. This led me to consider creating a 3D model reconstruction using Google Sketch-Up, providing a clearer representation of all the features and finds.

Finally, I managed to develop a preliminary 3D reconstruction, but further investigation is needed. Interestingly, Pan-Grave burials, contrasting to Kerma burials, normally do not have wooden funerary beds.

My preliminary 3D reconstruction of Feature 50.

One last aspect: It’s incredible how something as simple as a color choice can drastically alter the way we perceive a scene. Chloe’s observation about the light blue floor of my reconstruction resembling a swimming pool was certainly amusing, but it prompted a smart adjustment to a grayish color to avoid any unintended connotations. These lighthearted moments amidst the serious work of archaeological reconstruction bring a sense of fun and camaraderie to the team.

References

Budka 2022 = Budka, J., Investigating Nubian funerary practices of marginal communities: new evidence from a Kerma cemetery at Ginis, Egitto e Vicino Oriente 45 (2022), 37‒62.

Budka, Rose & Ward 2023 = Budka, J., Rose, K. & C. Ward, Cultural diversity in the Bronze Age in the Attab to Ferka region: new results based on excavations in 2023, MittSAG – Der Antike Sudan 34 (2023), 19−35.

Irish 2007 = Irish, J.D., Overview of the Hierakonpolis C-Group dental remains, Sudan & Nubia 11 (2007), 57-72.