It’s hard to believe – but tomorrow the last DiverseNile seminar of this year will take place. Chloë works already on the programme for next year, so we will continue with this successful online format discussing important aspects of the archaeology of the Middle Nile.
Tomorrow, Elizabeth Minor (Wellesley College), will be speaking about „Social Complexity and Community Resilience Strategies under a Changing Climate on the Middle Nile: Life at Es-Selim R4“.
The site of Es-Selim R4 (Minor et al. 2020) is an intriguing Kerma Period settlement located in the Northern Dongola Reach. Preliminary results suggest that Es-Selim R4 represents an opportunity to determine a cultural sequence for rural Kerma settlement sites, being inhabited from at least the Kerma Ancien period through to the Kerma Moyen period. Most interestingly, the site also allows to shift perspectives and to investigate the nature of socio-economic interactions between Kermans and Egyptians on a regional level.
Elizabeth is a Visiting Assistant Professor in Anthropology at Wellesley College. She received her Ph.D. in Near Eastern Studies from UC Berkeley, and her research focuses on the Kingdom of Kerma and cultural connections between ancient Egypt and Sudan. She has a special interest in understanding interregional and local social relationships – and we will hear more about this in her lecture.
For those interested in Kerma art, I highly recommend Elizabeth’s most recent article on key elements of Classic Kerma religious imagery (Minor 2022). In this though-provoking analysis she traces possible echoes of Kerman animal representations in later Kushite religion.
I am delighted that Elizabeth is joining us tomorrow! In case you cannot attend, be sure to check out the recording of her lecture – it will be available soon on LMU Cast.
References
Minor 2022 = Minor, Elizabeth 2022. Afterlives of Kerma religion: rams, lions, and fantastical winged animals (hippopotami and giraffes) in Classic Kerma and later Kush contexts. Journal of Ancient Egyptian Interconnections 35, 141-154.
Minor et al. 2020 = Minor, Elizabeth, Sarah M. Schellinger, Christopher Severa, Ahmed el-Ameen Ahmed el-Hassan, and Sajda Adam Omer Ahmed 2020. Laying the groundwork: the 2020 survey season and community outreach programme at the Kerma Period settlement site es-Selim R4 in the Northern Dongola Reach. Sudan & Nubia 24, 100-111.
One of my PhD research aims, as well as a crucial aspect of the study of Nubian goldsmithing, is to outline the possible goldsmith techniques involved in Nubian jewellery making, especially during the Kerma times.
Identity and technical skills of local craftsmen seem already attested by the Early Kerma jewels (c. 2500-2050 BCE). Among them, interesting cowrie shell reproductions made in precious metals and stone, gold and calcite, were found (Markowitz, Doxey, 2014). Ten base gold cowries were confirmed by Reisner at Kerma (K 5611) among the beads attached to the typical Nubian leather skirts (Reisner, 1923). Cowries are present also in Kerma assemblages recently investigated in the 4th Cataract. Moreover, these shells fixed on leather bands and used as personal body adornments were found in Gash Group tombs (early 2nd millennium BCE) (Manzo, 2012). This practice is still attested in Aksum and Adwa areas, Tigray, Ethiopia, decorating mahasal, gorfa – maternitytools – and necklaces for children and women (Silverman, 1999). European traveller accounts suggest particular customs of Sennar women such as the wearing leather skirt with cowrie belt sewed, to protect fertility and sexuality (Cailliaud, 1826; https://www.youtube.com/watch?v=fC9O_Wc50wo).
An exquisite example of cowrie necklace in gold, imported from Egypt or made locally, comes from the grave 3, at Uronarti (Fig. 1). This site is one of the Middle Kingdom Egypt strategic forts, such as Askut, Buhen, Mirgissa, Semna and Kumma, linked to trade and gold mining operations (Lacovara, Markowitz, 2019; Markowitz, Doxey, 2014). In comparison with the Middle Kingdom cowrie jewellery, the gold cowries of the Uronarti necklace seem to be quite different from each other. They have irregular shapes and notches, probably not made through the use of a mould like those Egyptian but worked individually with chisels and burins. The central pendant seems differently manufactured, extremely precise, probably made with the lost wax technique. Gold cowrie reproductions appear again in Meroitic goldsmithing. For example, the beautiful cowrie jewels of the Queen Amanishakheto (Fig. 2), display female and warrior symbolism (Aldred, 1978; Lacovara, Markowitz, 2019; Manzo, 2011; Markowitz, Doxey, 2014; Wilkinson, 1971). The technique used in the cowrie reproductions seems to be the same process that was used in Egypt and attested by the cowrie-shell girdles found in the tombs of the 12th Dynasty royal ladies, at Lahun and Dashur: the welding of two halves (Fig. 3).
Fig. 2: Gold shield ring with God Sebiumeker, udjat eye and cowrie pendants, Amanishakheto jewels, SMAEK, Munich (photo: S.Patrevita).
Fig.3: Girdle with gold cowries and lapislazuli, gold, turquoise and carnelian spherical beads, Middle Kingdom, The Egyptian Museum, Cairo (photo: S. Patrevita).
A particular typology of ornaments that could attest to the influence of the Nubian style on Egyptian goldsmithing are the penannular earrings (Fig. 4). Already found among the Early Kerma ornaments, they appear as a typology in Egypt only during the New Kingdom. In the shape of a small ring with an opening in the circumference, the hoop earrings are an interesting Nubian identity marker and at the same time a Nubian ethnic topos, recovered from Kerma burials at Tombos (Smith, 2003). During the New Kingdom traditional Nubian styles and jewellery were introduced to Egypt and adopted by Egyptians (see Lacovara, Markowitz, 2019).
Fig. 4: Tribute scenes with Nubians wearing ivory penannular earrings, Huy tomb (TT 40) (photo: www.osirisnet.net).Fig. 5: Sennefer „Mayor of the Souther city“ with gold penannular earring and jewellery, TT 96 (photo: www.osirisnet.net ).
The penannular earrings appear in Egyptian jewellery made of gold, probably created with the common technique of two halves welding (e.g. Sennefer tomb, TT 96) (Fig. 5). An example comes from the tomb of Horemheb (TT 78) dated to the reign of Thutmose IV (c. 1400-1390 BCE). A dancer is depicted with a haircut typical of those worn in Sudan even today, an ivory bracelet, a necklace with gold beads, armlets with attached beaded streamers and a penannular earring, probably in gold (Lacovara, Markowitz, 2019) (Fig. 6). A late Ramesside example of penannular earrings, in carnelian, jasper and shell/ivory/bone, comes from one of the most remarkable tombs in the MUAFS concession, 3-P-50, at Ginis West (Lemos, 2022) (Fig. 7).
Fig. 6: Nubian dancer with Nubian typical jewels, Horemheb tomb (TT78) (photo: Lacovara, Markowitz, 2019, p. 103, fig. 75).Fig. 7: Jasper, carnelian and shell/ivory/bone penannular earrings, Tomb 3-P-50, Ginis West (from Lemos, 2022, courtesy DiverseNile Project).
From a technological and typological point of view, these jewels help us to outline a native Nubian style that influenced and built Nile Valley goldsmithing with specific identities. Nubian technology shows a deep knowledge of the goldsmithing process, from the finding of the raw material (mining, wadi-working, panning), its transformation (smelting, casting) and working (hammering, welding, polishing), until the final result: the jewel, a story waiting only to be read and told.
We are only at the beginning of our journey into the ancient Nubian goldworking and goldsmithing, and we eagerly await the opportunity to get back on the field… stay tuned!
References
Aldred C., 1978, Jewels of the Pharaohs. Egyptian jewellery of the Dynastic Period, London.
Cailliaud F., 1826, Voyage a Mèroè, au Fleuve Blanc, au Dela de Fazoql, Paris.
Lacovara P., Markowitz Y.J., 2019, Nubian Gold. Ancient jewellery from Sudan and Egypt, Cairo, New York.
Lemos, R, 2022, Can We Decolonize the Ancient Past? Bridging Postcolonial and Decolonial Theory in Sudanese and Nubian Archaeology, Cambridge Archaeological Journal: 1-19. https://doi.org/10.1017/S0959774322000178
Manzo A., 2011, Punt in Egypt and beyond, Egypt and the Levant 21: 71-85.
Manzo A., 2012, From the sea to the deserts and back: New research in Eastern Sudan, British Museum Studies in Ancient Egypt and Sudan 18: 75-106.
Markowitz Y., Doxey D. M., 2014, Jewels of Ancient Nubia, MFA Publications, Boston.
Reisner G. A., 1923, Excavations at Kerma. Parts IV-V, Harvard University Press, Cambridge, Mass., U.S.A.
Silverman R., 1999, Ethiopia. Traditions of Creativity, University of Washington.
Smith S. T., 2003, Wretched Kush. Ethic identities and boundaries in Egypt’s Nubian Empire, London.
Wilkinson A., 1971, Ancient Egyptian Jewellery, London.
The event is hosted at the Institut Français d’Archéologie Orientale du Caire and was organised by Valentina Gasperini, Gihane Zaki and Giuseppe Cecere. I am very thankful to the organisers for giving me the opportunity to present the DiverseNile project in this context. I will be talking about “Cross-cultural dynamics in the Attab to Ferka region: reconstructing Middle Nile contact space biographies in the Late Bronze Age.”
I will present the material evidence for complex encounters of various Egyptian and Nubian groups in the region of Attab to Ferka in the hinterland of the New Kingdom urban sites of Sai Island and Amara West. The rich archaeological record of this part of the Middle Nile reveals new insights into the ancient dynamics of social spaces. I will give some case studies from both settlements and cemeteries and will focus on the intriguing domestic site AtW 001 and the Kerma cemetery GiE 003.
I will discuss our recent idea that the material culture and evidence for past activities at such sites suggest complex intersecting and overlapping networks of skilled practices, for example for pottery production – see here also the latest blog post by Giulia D’Ercole.
I will also argue that the evidence from cemetery GiE 003 supports the general picture emerging regarding cultural exchanges in the Kerma empire. There was no single Kerman cultural input to interactions with the Hyksos, Egyptians and nomadic people but we must consider various hierarchical local responses determined by different communities’ ability to consume, shaping what can be called marginal communities in the Kerma state (cf. Lemos & Budka 2021 and most recently Walsh 2022). We are making very good progress in understanding the communities in the Attab to Ferka region and I am much looking forward to the next days and the possibility to discuss cultural exchanges throughout the centuries in the Nile Valley (and beyond) with all the participants of this exciting IFAO conference.
References
Lemos and Budka 2021 = Lemos, R. and Budka, J., Alternatives to colonization and marginal identities in New Kingdom colonial Nubia (1550-1070 BCE), World Archaeology 53/3 (2021), 401-418, https://doi.org/10.1080/00438243.2021.1999853
Time passes quickly, we know, especially when good things happen. Only last January with a 9-months pregnant belly – and an inspired although easily forgetful pregnancy brain – I wrote the blog post “Some thoughts around the concepts of materiality, identity and style”. By that time, I already had some ideas jumbling around in my mind, I was reading quite some articles about materiality, entanglement, and style, taking notes, and in a way I wanted to back them up somewhere, in a safe place, before starting my parental leave. Meanwhile, my second baby, Filippo, was born and he is now an eight months healthy and curious boy who crawls everywhere and chews anything (with a preference for books!) all around the apartment. Meanwhile, I have also ended my maternity leave and I am officially back in the office! And there could not be a more excited and effective return than being able to draw on those preliminary thoughts and notes and make them flow into my lecture on “Material meanings, technology and cultural choices. Pottery production in Bronze Age Nubia”, the penultimate within our 2022 DiverseNile Seminar Series of lectures on Landscape and Resource Management in Bronze Age Nubia.
Once again, I wish to express my gratitude to both Julia Budka and Rennan Lemos for having invited me to give this talk. Also, I take the chance to thank the colleagues who were present in the audience and took part in the discussion. For those who have not had the opportunity to attend the lecture, you can find it recorded on our website at the following link: DiverseNile Seminar Series 2022 (uni-muenchen.de). Eventually, I am going to summarize below some of the main topics I covered. In principle, there was the idea of taking stock of the state of the art of my results and current research aims within the Work Package 3 of the project. Also, I meant to compare the large-scope technological and compositional study conducted within the frame of the ERC AcrossBorders project on the ceramic assemblage from the New Kingdom colonial town of Sai Island with the results available from the analysis of the ceramic material from the Kerma/New Kingdom site of Dukki Gel. The latter have been actually already included in our DiverseNile database and together with the Sai Island corpus constitute a pretty massive reference collection of over 300 samples.
Fig. 1: One example for our new samples from the MUAFS concession – here a collection of Nubian-style sherds from the domestic site AtW 001 (photo: J. Budka).
Eventually, I was keen to introduce our new set of samples – 108 beautiful and highly promising ceramic sherds, among which diverse examples of Nubian-style and Egyptian-style wares in Nile clay, selected during our last field season from the region between Attab and Ferka, namely from the sites of Attab West 001, Ginis East 001, and Ginis East 003, two settlement sites and a Kerma cemetery (Figures 1 and 2).
Fig. 2: A summary of the number and provenience of our new set of samples from the MUAFS concession.
For presenting these data, I built up a consistent theoretical frame that provided for the concepts of materiality, style, and “chaîne opératoire”. I started by talking about the meaning that we attribute to objects, not only those with high symbolic value like luxury goods or amulets, but also and above all those objects of domestic use, which we all have in our kitchens and which intersect daily with our traditions, culinary practices, gestures, and phares so that every family, and in a broad sense every culture, has not only its own family lexicon (sensu Ginzburg 1963) but also a familiar lexicon of the material culture that has belonged to it. I have therefore examined the etymology of the word object, from the Medieval Latin obiectum „thing put before“ (the mind or sight), from which comes the idea of the object aseverything that the subject (human/culture) perceives as different from himself. Hence the reference to a long tradition of philosophical and linguistic studies in which the objects, and material culture in the extended sense, has been interpreted according to an anthropocentric one-way perspective mainly as static representation of the (human) subject (for further details see Fahalander 2008). The discussion continued by examining the concept of material culture in archaeology and anthropology with reference to the academic movement of ‘Processual archaeology’ and then in accordance to the ‘post-Processualism’. Eventually, I have talked upon the recently increasing interest on ‘things and materiality’, the so-called New Materialism (see e.g., Olsen et al. 2012) and with it a new way of perceiving the material reality as centred on itself, if not freed by the human subject (it can never be completely so), at least less depended on the human apparatus of symbolic representation and functional meanings. Not by chance in the last decades, we have also witnessed a progressive change of terminology with the use of the words things and materiality gradually replaced that of material culture.
I therefore examined the concepts of materiality and style in reference to the manufacturing sequence linked to the production of Egyptian-style and Nubian-style vessels in Nile clay, with case studies from both Sai Island and Dukki Gel, and thus observed in which stages of the chaîne opératoire were the identity aspects of the aforementioned cultures and ceramic traditions more (or less) emphasized.
Looking at the ceramic manufacture not just as a finished product resulted from the human action and intended for functional, social, and representative needs, but as the outcome of a series of gestures and corporeal actions that take shape in the first place in direct contact with the environment, by means the choice and manipulation of the raw materials, implies putting ourselves in a new multi-scale perspective, so that we can move forward from the anthropocentric dimension and add to the dialectical relation objects vs. humans a third party, namely the environment with its vegetation, animals, bodies, and various materials such as clay, water and sand.
Secondly, can we ask ourselves with greater knowledge and detail “Who produced the vessels?” That is, who, among the Nubian and / or Egyptian potters having their workshops settled in Upper Nubia – most of the analysed Egyptian style and Nubian style Nile wares in Nile clay from Sai Island have showed indeed the same chemical fingerprint (D’Ercole and Sterba forthcoming) – selected the raw material for making their vessels, kneaded the pastes, and then went to shape the pots, to treat the surfaces, to apply the decorations and finally to make the fire? It is plausible to think that if not all, at least some of the gestures and stages of the manufacturing sequences took place simultaneously in the same workshop without a too rigid separation between Egyptian and Nubian production. That is, that the same potter/s possibly prepared and fired together Nubian and Egyptian style vessels and that only the stages related to the production and finishing (those where we have observed the greater diversity of style!) took place separately on the basis of specific technological skills and regional traditions.
It is still plausible to think that in such promiscuous contexts some of the so-called hybrid vessels, showing a mixture of Egyptian and Nubian stylistic aspects and technologies, have taken shape, perhaps initially accidentally, to then become objects possibly intentionally sought and widespread as the expression of a shared use of the same territory and mostly of the progressive entanglement between the Egyptian and Nubian cultures. To what extent were these isolated cases or is it realistic (and ethically correct) to speak about “Creolization” or “Koinezation” of ceramic styles? (for the term koiné and “International artistic koiné” cf., Feldman 2006).
A solid theoretical background combined with a broad-spectrum analytical approach based on the combined macroscopic and microscopic analysis of several ceramic collections from several bordering regions environmentally and culturally highly similar but also extremity distinctive (e.g., Sai Island, Kerma/Dukki Gel, and the Attab to Ferka region) is already allowing us to answer some of these questions and to formulate many others more and more punctual on the way of expanding our knowledge on the complex system of socio-cultural, economical, and ecological dynamics that took place during the Bronze Age period in the various regions of Nubia.
References
D’Ercole, G. and Sterba, J. H. Forthcoming. Chemical analyses of the pottery corpus from the New Kingdom town of Sai. In: J. Budka (with contributions by G. D’Ercole, J.H. Sterba and P. Ruffieux). AcrossBorders 3: Vessels for the home away from Egypt. The pottery corpus from the New Kingdom town of Sai Island. Archaeology of Egypt, Sudan and the Levant, Vienna: Austrian Academy of Sciences Press.
Fahlander, F. 2008. Differences that matter. Materialities, material culture and social practice (127-154). In: Glørstad, H., & Hedeager, L. eds. Six essays on the materiality of society and culture. Bricoleur Press.
Feldman, M. H. 2006. Diplomacy by Design: Luxury Arts and an ‘International Style’ in the Ancient Near East, 1400–1200BCE. Chicago: University of Chicago Press.
Ginzburg, N. 1963. Family Lexicon. Daunt Books.
Olsen, B., Shanks, M., Webmoor, T., Witmore, C. 2012.Archaeology: The Discipline of Things. University of California Press.
I am very pleased to announce another recruitment for the ERC DiverseNile project: Kate Rose has joined us this week and will be focusing on Work Package 4, “The Biography of a Frontier Landscape in the Middle Nile.”
Kate has already settled into her new workplace at our office.
Kate is an anthropological archaeologist in the final stages of completion of her PhD at Harvard University. In her dissertation, she studied the relationship between gender and power through spatial analyses of royal cemeteries in the Napatan region.
Kate has worked and served in various leadership positions on excavations in Spain, Jordan, Turkey at the Neolithic site of Çatalhöyük, Egypt at the site of Tell el-Amarna, and also in Sudan at the cemeteries of El-Kurru, Nuri, Jebel Barkal, and El-Zuma.
Her experience as a field archaeologist and methodological expertise in GIS and spatial analyses makes her well-suited to explore our landscape questions aiming to reconstruct the contact space biography of the Attab to Ferka region. Kate will investigate questions of how physical spaces and landscapes constitute and are constituted by social dynamics. She will be closely collaborating with all team members, especially with Chloë and Sofia.
Welcome to Munich and our team, Kate! We are very happy to have you as a new team member.
The so-called „vorlesungsfreie“ (lecture-free) summer time is now over – the winter term at LMU will start on Monday. Next week is also the next DiverseNile Seminar – this time it will be given by our own Giulia D’Ercole, who has just returned from her maternity leave.
Giulia will speak about some core tasks of our work package 3, material culture and cultural diversity in the Attab to Ferka region. Under the title „Material meanings, technology and cultural choices: Pottery production in Bronze Age Nubia“ she will outline a number of theoretical and methodological aspects of her study of ceramics produced in the Middle Nile, including Nubian-style, Egyptian-style and also so-called hybrid vessels. Case studies from Sai Island but also from the new MUAFS concession will be presented.
I am very happy that Giulia is back in office and very much looking foward to her lecture on Oct. 18 – anyone interested in Bronze Age technology and/or pottery shouldn’t miss it!
I am delighted to announce that the DiverseNile Seminar Series 2022 continues after our short summer break. Next Tuesday, Sept 27, Jérôme Dubosson, Université de Neuchâtel, will talk about “Living and dying with livestock: Some thoughts on pastoralism in the Kingdom of Kerma during the 3rd and 2nd millennia BCE.”
Trained in archaeology and anthropology, Jérôme wrote his doctoral thesis on the cultural and social role of cattle among pastoralists in North East Africa. His interdisciplinary research aims to better understand the development of African pastoralism in time and space. Since 2007, Jérôme has been working with the Swiss Archaeological Mission in Kerma. He recently wrote the article “Cattle Cultures in Ancient Nubia” for the Oxford Handbook of Ancient Nubia (2021).
In this article, he gives a very useful overview of the ritual and cultural role of cattle in Nubian pre- and protohistoric societies according to archaeological findings like bucrania and engraved figures of cattle in rock art.
The question of the use of bucrania is also a very interesting one for our DiverseNile project. As Jérôme remarks, such deposits are mostly attested in the rich tombs in the main centres of the Kerma empire, at Kerma and Sai Island (Dubosson 2021). In marginal cemeteries of the Kerma kingdom, bucrania are rare and animal deposits are mainly found as meat offerings inside the grave. This also holds true for two of the Kerma cemeteries in our MUAFS concession, at Ferka (3-G-19) and Ginis (GiE 003) as well as for their closest parallels, the cemeteries of Ukma and Akasha in the Batn el-Haggar. Since all these marginal sites, especially GiE 003, find otherwise close parallels in the cemeteries at Sai, this really seems to relate to varying funerary customs in the hinterland of the northern Kerma stronghold.
There is much potential in further research on provincial Kerma cemeteries – as Carl Walsh recently pointed out in an inspiring article with an exciting fresh approach, social and funerary practices in the Kerma kingdom seem to reflect complex interactions between regions and communities in what can be called a “pastoral state” (Walsh 2022). We still know little about the internal structure of this state, but we should probably consider various hierarchical local responses determined by different communities’ ability to consume (cf. Lemos and Budka 2021). In this respect, the different roles of livestock within such marginal communities and regions – despite of a central value given to cattle – are of key interest.
For now, I am very much looking forwards to Jérôme’s upcoming lecture!
Lemos and Budka 2021 = Lemos, R. and Budka, J., Alternatives to colonization and marginal identities in New Kingdom colonial Nubia (1550-1070 BCE), World Archaeology 53/3 (2021), 401-418, https://doi.org/10.1080/00438243.2021.1999853
First day back in the office after a wonderful week in Warsaw for the 15th International Conference for Nubian Studies. It is particularly lovely to be back in Munich knowing that the next conference will be held here in 4 years, and we look forward to this exciting if daunting challenge!
It was a fantastic conference and a great opportunity to catch up with colleagues and friends from around the world, as well as with ongoing work and research in Nubia and Sudan. It was especially nice to be in Warsaw for the 50th anniversary of the conference with the first conference also taking place in Warsaw in 1972.
It was a busy week with a huge range of papers and no less than six keynote lectures, each fascinating in their own right and providing much needed reflections on ongoing work in the region as well as the state of the discipline as a whole. The conference was wonderfully organised by the committee (Heads of the Organising Committee: Adam Łajtar and Artur Obłuski) from the University of Warsaw and it was great to hear about so many fantastic projects. These ranged from discussions of ongoing excavations, scientific research — such as bioarchaeological studies, to ongoing community archaeology and heritage management, as well as Christian and Prehistoric Nubia. Given the aims of the DiverseNile project it was wonderful to have so many papers on the ‘Borderspaces of the Nubian World’ which were especially relevant to our work. A very useful round table on ‘Different Complexities: Empires, States, and Nomads in Nubia and the Middle Nile’ organised by Julien Cooper and Andrea Manzo, also provided much food for thought.
It was also a great opportunity to share some updates from the DiverseNile project with PI Julia Budka and Rennan Lemos (who is sadly leaving the project for a teaching position in Cambridge) both presenting on some of the results from the project, as well as future directions and research questions.
Julia Budka presenting updates from the DiverseNile Project.
The week also provided a great opportunity to visit the beautiful city of Warsaw and its Museums. This included the wonderful Faras Gallery in the National Museum of Warsaw, where 67 wall paintings from the Faras Cathedral are beautifully displayed in a space reminiscent of the original layout of the cathedral. The paintings were removed as part of the Nubian Campaign with the Faras excavations directed by Professor Kazimierz Michałowski, after whom the gallery is named and who organised the first International Nubian Conference in Warsaw. As such it was particularly fitting that the Welcome Ceremony for the 15th conference took place in the Museum with an opportunity to visit the galleries. The legacy of the Nubian Campaign of course continues to be the subject of controversy, particularly in relation to displacement of Nubian communities during the flooding of the region, and this was raised in several papers, including the keynote by Vincent W. J. van Gerven Oei.
The conference ended with a gala dinner in the lovely garden of the Warsaw University Library, a beautiful setting to end the conference.
A beautiful location for the Gala Dinner in the University of Warsaw Library Garden
Although, not the trip to Warsaw! The weekend provided a great opportunity to explore the city with its especially lovely Stare Miasto (Old Town) and Wisła.
Views of the Stare Miasto (Old Town), largely rebuilt after the Second World War
Beautiful but of course with a dark past, still memorialised in the city and in the informative displays provided by museums such as the Warsaw Rising Museum and the POLIN Museum of the History of Polish Jews. The latter in particular providing a stark contrast of the different periods of the 1000 year history of the Jewish community in Poland from an early ‘Paradisus Iudaeorum’ (Jewish Paradise) to the horrors of the Holocaust. A dark ending to the trip but nevertheless a necessary one.
Remnant of the Warsaw ghetto wall still visible today
Warsaw Uprising Monument
Overall, the trip to Warsaw was a great success for the DiverseNile team given us the opportunity to discuss ongoing research as well as learn much about the city itself. Many thanks to all of the participants and especially the organising committee and volunteers who made it all possible! We all very much look forward to the next opportunity to catch up with friends and colleagues.
Four years have passed since the last International Conference of Nubian Studies in Paris and on Sunday, the 2022 edition of the 15th congress will start in Warsaw.
Rennan, Chloë and I will be attending, and I will present the MUAFS project and its main results of the last years. My paper will give an overview of our activities from 2018 until 2022, with a special focus on the ongoing subproject ERC DiverseNile focusing on the Bronze Age remains. I will introduce our landscape biography approach in the Attab to Ferka region as the investigation of encounters of humans and landscapes in a peripheral borderscape with a longue-durée perspective, considering all attested finds from Palaeolithic times until the Islamic age.
For the presentation, I updated our list of sites and processed some of the quantitative data. At present, a total of 266 sites was documented. This comprises 186 of the 219 Vila sites as well as 80 newly identified sites. This number of sites is still preliminary because parts of Kosha, Mograkka and Ferka on the West bank have not yet been surveyed.
Regarding the types of sites, the most common sites are settlements and burial grounds. However, it is also remarkable that the MUAFS concession includes one granite quarry, one gold extraction site and several rock art sites.
Main types of sites in the MUAFS concession (status 2022).
As far as the dating of the sites in concerned, the majority belongs to the Medieval time. However, Bronze Age sites, here labelled as Kerma and New Kingdom sites, which are relevant to the DiverseNile project are also well represented. There are also several multi-period sites and others were re-used in later periods (e.g. Kerma sites in Medieval times).
Dating of the MUAFS sites. Note that the total number of sites for this table is 283 since several sites were used in more than one period. The Kerma and New Kingdom sites are currently being investigated by the DiverseNile project.
I will also present some general patterns of the distribution of sites throughout the ages. This allows to highlight the importance of environmental parameters and changing landscapes in the region.
Although my last visit to Warsaw was just in May this year, I cannot wait to be back in this beautiful town. I am very much looking forward to the Nubian conference and meeting all the international colleagues working in Sudan.
The 15th International Conference for Nubian Studies in Warsaw is approaching at the end of this month, and I am currently busy preparing my paper. I will give a brief overview of the main results of the MUAFS project in the past years – and thus I revisited some of the sites of major interest between Attab and Ferka.
Until now, our work only focused on the left and right banks of the Nile – but my concession also comprises all the islands of the region. While we still have to visit Firkinarti island close to Ferka with its impressive archaeological remains, Huda and I spent one productive day this January on Gergetti island during our survey season.
Location of Gergetti island between Attab East and Attab West.
Gergetti island is a beautiful island dominated by sandy dunes, located between Attab East and Attab West with an East West extension of c. 1.7km and a North South extension of c. 250m. The landscape and the view to the east bank is stunning – and provides a completely different view of Gebel Abri than I was used to when working on Sai island.
View from Gergetti island towards the Southwest, with Gebel Abri in the background.
Vila documented two sites on the island – the better preserved one is 2-S-21, a fortified village of 110 x 70m in size which Vila associated with the Terminal Medieval period (Vila 1977: 32-37) in the southwestern corner of the island. He provided an excellent map of the site, and we could follow in his footsteps and check the present day preservation.
Location of site 2-S-21 on Gergetti island.
The enclosure wall has a hexagon shape and is made of mud brick with blocks and pieces of schist stone. In the southern part, the enclosure has already partly collapsed in the times of Vila, but the buildings in the interior are still very well preserved.
Plan of the fortifed village by Vila (1977).
Overview of the interior of the site in January 2022.
A dozen of preserved mud brick houses are square or rectangular buildings with one very small room in the back and a larger room in the front. Such a layout as well as the general appearance of the settlement 2-S-21 seems typical of the Funj period. Much progress in research on Funj house architecture has just been made in the last years, most prominently by the UMMA project at Old Dongola. In one of their recent publications, Obłuski and Dzierzbicka point out the main characteristics and differences to the medieval Nubian house types. They also mentioned Gergetti island as a close parallel to Old Dongola (Obłuski & Dzierzbicka 2021, 237, 242).
One of the houses along the northern wall (view to west).
Especially since research of Funj period domestic architecture between the Second and Third Cataracts is still limited, the site 2-S-21 has much potential for future exploration. It became obvious that the map of Vila, as useful as it is, needs to be improved in several respects and that some buildings were also omitted on his plan. One possibility would be to document the site by drone aerial photography and thus to generate a new georeferenced 3D model as well as detailled plans. Excavations should also be undertaken in selected parts of the town, especially for clarifying building phases. The earliest phase of the settlement would be extremely relevant – not only for further comparisons with Old Dongola and other sites, but also from a historical view for the region of Attab to Ferka. Apart from the architecture, the material culture will give important information on the fine dating (as well as on so many other questions like room function, activities etc.). There is plenty of pottery on the surface, including nice painted wares and we also found one small piece of glazed ware. Without doubt, undisturbed contexts more useful for dating can be expected below some of the collapsed walls.
The state of preservation of the buildings at 2-S-21 is just amazing.
For now, Vila’s association of the site with Late Medieval times should be modified as most likely Funj period – more on this will follow when we return to the beautiful island of Gergetti.
References
Obłuski, A. and Dzierzbicka, D. (eds) 2021. Old Dongola: development, heritage, archaeology. Fieldwork in 2018-2019. Volume 1: Excavations. Polish Publications in Mediterranean Archaeology 1. Leuven et al.
Vila, A. 1977. La prospection archéologique de la Vallée du Nil, au Sud de la Cataracte de Dal (Nubie Sudanaise). Fascicule 6: Le district de Attab, Est et Ouest. Paris: CNRS.
