Exploring settlement patterns and funerary practices in Attab and Ginis

Week 4 of our 2023 field season has just ended – time passes very quickly and there are three more weeks to go!

Much progress was made this week – especially because we are currently working both on the west bank in Attab, at site AtW 001, and in the Kerma cemetery GiE 003 on the east bank.

Chloe Ward, Mohamed Soubho and I managed to come close to an end at the intriguing settlement site AtW 001. We cleaned further substantial mud brick debris and revealed faint traces of mud brick walls – clearly datable to the 18th Dynasty.

Chloe at work in AtW 001.
There was still much mud brick collapse to excavate this week.
Site AtW 001 in its present state – much has changed since we started!

Unfortunately, we also had an incident of looting at the site this week – one complete pottery dish was pulled out from its location and an intact zir vessel was partly ripped apart. We reported this event to the tourism police and hope it will not happen again! Thankfully the vessels were left on site, obviously the looters were looking for gold or hidden treasures and did not like the ceramics which hold such great significance for us archaeologists.

The intact zir vessel was partly smashed by the looters at the site earlier this week.

The zir vessel still poses several questions – it seems to have been still in situ in a kind of silo or room, but this needs to be checked early next week. The same holds true for confirming the stratigraphic connection of our lowest ashy layer exposed in 2023 with the one excavated in 2022 in Trench 1.

All in all, AtW 001 yielded a large number of mud bricks, mostly as mud brick collapse but fortunately also as some in situ walls as well as considerable amounts of stone tools, ceramics, clay weights and various animal bones. Sheep/goat and donkey seem to be the dominant species, but some fish bones already attest to more complexity of the animal remains.

Contemporaneously to our work in AtW 001, Kate Rose, assisted by Samer Ali, was busy in taking drone aerial photos (a big challenge in this windy weather) and especially measurements with the Trimble Catalyst antenna. She focused on dry-stone walls in Attab and Ginis – some of which are clearly Kerma in date, others presumably of New Kingdom origin and some probably as late as Napatan.

Nail and his gang of workmen did an excellent job cleaning burial pits at GiE 003 this week.

At the Kerma cemetery GiE 003, three new trenches were set up and the work supervised by Jose M.A. Gomez and Huda Magzoub  focused on Trench 3 were a number of rectangular Classic Kerma burial pits with trenches for funerary beds were exposed. Our gang of local workmen is well familiar with this type of tombs from last season. There were already some interesting finds like one steatite scarab and one ivory bracelet, and more are to come! Especially intriguing is the abundant evidence for looting – maybe it will be possible to confirm my hypothesis from 2022 that most of the plundering happened in Medieval times.

Much progress was made for all work packages of the ERC DiverseNile project this week – the diversity of settlements (WP 1), cemeteries (WP 2), the material culture (WP 3) and the landscape of the Attab to Ferka region (WP 4). We have already plenty of data for post-excavation processing back home in Munich and thankfully we still have three more weeks here in the beautiful landscape of Attab and Ginis!

Week 3 – much progress on the West bank, start of work on the East bank

Our week 3 of the 2023 season was dominated by another drop in temperatures and very windy weather – there were only three days when we could work all day, on the other days too much sand in the air forced us to stop work early and continue with documentation and processing in the digging house.

Most importantly, our totalstation was fixed and is back to its normal daily routine. The wind prevented Kate to do much drone aerial photography, but thanks to the new Trimble Catalyst Antenna she was very busy documenting the landscape and many dry-stone walls in the area of Attab West and Ginis West.

While we were waiting for our totalstation, Chloe, Jose and I continued at the intriguing site 2-S-54, the 18th Dynasty building made of mud bricks and stones located on a steep slope of a rocky outcrop within the district of Foshu. A stunning view to work!

Chloe working at site 2-S-54.
Photographing the dense mud brick collapse in the northern part of the structure. We also took 3D models of all surfaces exposed so far.

We exposed more of the surface around the structure and worked on the dense mud brick debris on its interior – more early 18th Dynasty ceramics, including Nubian style pots and also one hybrid cooking pot were unearthed – extremely exciting! A good number of large fragments of sandstone grindstones came to light and these were already documented by Sofia. This could already be a small hint that also this site is associated with goldmining. Modern gold working is carried out in large scale just next to us – in general a nice continuation illustrating the long-lasting impact of the natural resources for this part of the Middle Nile. However, since some of these modern pits and diggings also threaten the archaeological sites, I am rather concerned about this new development at Attab West.

Much progress was made exposing the 18th Dynasty structure at site 2-S-54.

Work at 2-S-54 will continue in week 4, since we moved back to the domestic site AtW 001 with our gang of local workmen during week 3. Here, the dense mud brick debris revealed further complete pottery vessels as well as a very well preserved animal skull, most probably of a donkey.

Well-preserved animal skull in the mud brick debris layer at AtW 001. It was found at the bottom of a slight slope, sourrounded by brick debris and pottery fragments.

There are plenty of other animal jaws and bones in the collapse and it really seems as if most of this debris is partly rubbish. In addition, we have exposed more circular pits, presumably fire pits or storage structures.

More complete pottery vessels were found in week 3 at ATW 001. Especially exciting is the complete zir in the pit on the right of the picture.

Since we have reached a level where the contexts are now quite delicate and also space for work is limited, we moved our team of local workmen to the East bank (this is the “better” bank regarding wind and was thus received with much enthusiasm by the workmen). Jose and Huda started yesterday at the Kerma cemetery GiE 003 with two new trenches, aiming for a better understanding of the distribution patterns of burials at the site. Chloe and Sofia were busy setting up the new fix points and conducting measurements with the totalstation. The first burial pits are already visible in the new Trench 3 and I am sure I will be able to report interesting finds on the next update coming Friday.

Much progress despite of external challenges – week 2 of the 2023 season

Our week 2 of the 2023 season has just ended – having been an intense week with several challenges. First, our totalstation suddenly did not work like it should and we needed to send it to Khartoum – it will be fixed, but of course this meant a stop for excavations at AtW 001. On the positive side, two of our DiverseNile team members joined us this week – Jose and Kate have arrived and are now supporting us in multiple ways. Kate had to fix technical issues with our drone and the new Trimble Catalyst Antenna, but is now all set and started her work focusing on documenting the landscape.

Before we stopped at AtW 001, the results were really impressive. We found several circular or oval-shaped fire pits and excavated more of the mud brick debris on top of the mound in Trench 2. More animal bones and complete vessels showed up. One particularly nice context was an area adjacent to the solid mud brick debris, where one deep bowl, one beer jar, one small pot stand and a lower part of the beer jar were found smashed below mud bricks (Fig. 1). Interestingly, the mud brick debris comprised both red bricks and ordinary mud bricks. The current hypothesis is that the red bricks are simply burnt from a use close to a fire place or possibly kiln.

Fig. 1: Deposit of early 18th Dynasty smashed pottery vessels at AtW 001.

The stop of fieldwork had the advantage that I could invest much needed time for the pottery processing – we have not only large amounts of sherds, but especially a considerable number of complete or almost complete vessels. These all need to be first washed and then reconstructed. Jose kindly helps with the task of reconstruction (Fig. 2) and he also started drawing the first pieces from the uppermost layers.

Fig. 2: Jose doing a great job reconstructing pottery vessels from AtW 001.

Apart from pottery, we mostly have stone tools and re-used sherds and clay weights (including net weights) among the finds. Sofia is updating our find list and also describing the stone tools in our Filemaker database.

Until our totalstation is back from Khartoum, we will focus both on find processing and on drone aerial photography as well as taking measurements with the new Trimble Catalyst Antenna. In order to combine the latter also with some surface cleaning of Bronze Age structures, I chose an area in the district of Attab West in Foshu – this is a densely used area during Kerma times adjacent to the major paleochannel.

While Kate is taking drone photos, Chloe, Jose and I were cleaning the intriguing site 2-S-54, described by Vila as a New Kingdom house with mud bricks supported by schist stones, from wind blown sand (Fig. 3). This building, measuring 6.5 x 3.5m, is located on the south side of a rocky outcrop within the paleochannel on a quite steep slope.

Fig. 3: Much windblown sand covered the structure at 2-S-54.

The task of removing 80cm of windblown sand was extremely rewarding – we revealed in the interior of the building a dense mud brick debris layer as well as occupation deposits and several internal mud brick walls. We documented everything in 3D using photogrammetry (Fig. 4) and will continue excavating this domestic structure. The pottery found so far associates the use of this site with the early 18th Dynasty.

Fig. 4: 3D documentation of cleaned structure at 2-S-54 (photo: JMA Gomez).

Thus, despite of all the technical challenges and modified working plans, we managed to get much work done in week 2. Hoping we will soon return to site AtW 001 with our workmen (and the totalstation), I am for now very much looking forward to investigating 2-S-54 in more detail.

Bones, pots and mud bricks – preliminary results from AtW 001

Our first week with workmen excavating at Attab West in site AtW 001 was very productive, despite of some windy days when we had to stop early.

Fig. 1: Work in progress earlier this week.

The mound of AtW 001 which was covered by schist stones and pottery sherds on the surface yielded substantial mud brick debris layers. These layers contained much pottery – a total of more than 6300 sherds was processed already – including many complete vessels. The most common shapes are Egyptian-style zir vessels, bowls and dishes, beer jars and Nubian-style cooking pots with basketry impressions. One almost complete Nubian cooking pot was still found in place, partly below a very large mud brick.

Fig. 2: Large fragment of Nubian cooking pot in its finding place.

A large Nile clay bowl was found in a sandy filling south of the mound with mud bricks (Fig. 3). All in all, the pottery corpus very closely resembles the ceramics from the New Kingdom town of Sai Island, especially of the Levels 4 and 3 in SAV1 North, suggesting a date from the early 18th Dynasty to the mid-18th Dynasty. Interestingly, some of the vessels seems to belong to the Second Intermediate Period tradition – whether these are old pieces or imply a use of AtW 001 already during Classic Kerma times needs to be checked.

Fig. 3: Vessels like this Egyptian-style bowl illustrate the splendid state of preservation of ceramics at our site.

Similar to our findings from last year, we had plenty of charcoal, ashy spots and some burnt doum nuts as well as date seeds. Doubtlessly, people were eating and cooking here during the 18th Dynasty. This is further supported by many animal bones – seemingly mostly cattle but also some caprids. The details remain to be checked by our zooarchaeologist.

Fig. 4: Overview of some of the deposits of animal bones.

Finally, there is much evidence for quartz working at the site and many stone tools (especially pounders, whetstones, grindstones, and hand mills) – Sofia is documenting these and we will double-check if my previous interpretation of the site as being connected to gold working can be supported (or modified) by our new findings.

All in all, I am very happy with both the progress of work in week 1 and the great team of this season – together with our wonderful local workmen, Huda, Chloe, Matei, Sofia and I will continue on Saturday and an update will follow shortly.

All set for the official start of the excavation season 2023

It has been a busy week – arriving in Khartoum, finishing the paperwork, travelling to the north, arriving in Ginis, settling in our digging house, sorting the material and equipment and organizing the gang of workmen for our excavations as well as the boat transport to the west bank. All went very smoothly thanks to great support from our Sudanese friends and colleagues, especially the help of our inspector Huda, our friends Waleed in Khartoum and Magzoub here in Abri as well as our driver Imad and cook Ali.

Just great to be back in oir digging house in Ginis!

We will start with extended excavation in the small settlement AtW 001 – in 2022, a first test trench provided interesting results, suggesting that there was a use at the site from Classic Kerma times through the Thutmoside period (for details see Budka 2022).

We managed to prepare everything for our first day of excavation tomorrow: Chloe and Sofia set up the new grid and took all necessary measurements, I was busy with taking micromorphological soil samples from the section of our 2022 trench – Huda was a great help here, not only in taking working pictures.

Taking our first micromorphological samples at AtW 001.

It was the first time I took these samples using plaster of paris, quick-setting gypsum plaster – and although the sediment is partly very soft and challenging to sample, it worked really well. We hope that the analysis of these samples will allow us a more detailed understanding whether our excavated area was an open space or a roofed space, what kind of activities apart from the visible fire places and the dumping of food waste are traceable and much more! Very exciting, especially since we did not yet find standing architecture although loose mud bricks are present at the site.

Today is our day off and tomorrow we will start week 1 of excavations at AtW 001 with our local workmen – stay tuned, this site is really full of potential!

Reference

Budka 2022 = J. Budka, Early New Kingdom settlement activities in the periphery of Sai Island: towards a contextualisation of fresh evidence from Attab West, MittSAG – Der Antike Sudan 33, 2022, 45‒61.

Arrival in Sudan: getting the 2023 field season prepared

While winter is back in Munich, Chloe, Sofia and I have safely arrived in Khartoum this night. It’s wonderful to be back in Sudan and we cannot wait to be heading to the north on Monday insha’allah. Paperwork and shopping still need to be done, but then all is set.

In the field in the Attab to Ferka region we will be busy with several tasks:

  • Excavations at Ginish East and Attab West, especially the continuation of work at the Kerma cemetery GiE 003 and at the intriguing settlement site AtW 001
  • Survey in various areas, especially on the west bank and into the desert
  • Drone Aerial Photography in all of the concession area, but especially on the west bank.

Furthermore, we plan some ethnoarchaeological research about pottery making and goldworking/goldsmithing and metal working.

The 2023 team comprises all our ERC DiverseNile staff – Chloe, José, Kate, Giulia and Sofia. I am delighted that our team will be strengthened by two students of Al-Neelain University (Tasabeh Obaid Hassan and Mohamed Abdeldaim Khairi Ibrahim) and one PhD Candidate from the Cotsen Institute of Archaeology, University of California, Los Angeles (Matei Tichindelean). Our NCAM inspector will be our old friend and colleague Huda Magzoub who has been supporting us in the last years.

We have a very promising 2-month season ahead of us and we will keep you updated (if the connection in the north allows it ;-)).

DiverseNile Seminar Series 2023

It’s been a busy start to the year here in Munich with our upcoming field season in Sudan. However, the organisation for this year’s DiverseNile Seminar Series by Chloe Ward is well under way and we hope to have a full programme for you soon. For now, we are delighted to announce that the first talk will be given by our very own Kate Rose (PostDoc of the DiverseNile project) on Tuesday 25th of April (13-14 CET).

The theme of this year’s DiverseNile Seminar Series will focus on interdisciplinary approaches to archaeological research in the Nile Valley. This ties in well with the aims of the DiverseNile project and will allow us to reflect on the wide range of methods and theories that can be used in archaeological research. Other speakers for the series will include Fatma Keshk (IFAO/PCMA), Carl Walsh (Barnes Foundation), and Frederik Rademakers (British Museum).

We are very much looking forward to see you all at these online seminars – stay tuned for the detailed programme!

New year, new team member: a warm welcome to José

Last year I spent the turn of the year in Sudan. This year our field work is a little later, but there are other very happy events on the occasion of the new year. It is my great pleasure to welcome our new PostDoc of the DiverseNile project in Munich today.

Jose arrived on January 1, 2023 in Munich and started his employment at LMU today.

Jose Manuel Alba Gomez is an archaeologists and Egyptologists with a wide range of interests and much fieldwork expterise in funerary archaeology. From 2009 onwards, he was a team member of the Proyecto Qubbet el-Hawa of the University of Jaén, Spain; for several years he acted as the co-director of this important archaeological mission in Aswan, Egypt.

Jose shares my interest in pottery and I am delighted that he is now strengthening our DiverseNile team. His prime focus will be Work Package 2, the variability of funerary monuments in the Attab to Ferka region.

Our objective to illustrate on the level of funerary practices the cultural diversity in the MUAFS concession in northern Sudan by disentangling burial grounds from previous cultural categorisations, will be addressed later in January with new excavations at Ginis. The Kerma cemetery GiE 003 (Vila’s site 2-T-39) comprises approximately 150 tombs – our excavations in 2022 yielded already 28 burial pits, but more data from this key site in our concession are needed. GiE 003 clearly promises an exciting start for Jose – welcome again to Munich and to our team!

Rock art from the MUAFS concession – preliminary thoughts on cattle depictions

Rock art in Sudan has become one of my favourite topics ever since I worked in the Fourth Cataract region in the 2000s. Within the MUAFS concession between Attab and Ferka, there are not many sites with rock drawings. Unsurprisingly, rock art is restricted to certain areas with fitting geology and large boulders – in our concession these are the districts of Ferka, Mograkka and Kosha (Fig. 1). Close to Mograkka, one particularly handsome engraving was chosen as the basis for the MUAFS logo.

Fig. 1: Map with rock art sites located in the MUAFS concession (status 2020).

Some of these sites are located in close proximity to Kerma funerary sites. This holds especially true for 3-P-14 (Kosha West), 3-G-18 (Ferka East) and 3-P-5 (Kosha East).

3-G-18 is located on rocky outcrops within the large plain of Ferka and directly adjacent to the Kerma cemetery 3-G-16 (Fig. 2). Kerma cemetery 3-G-19 is also not far away. These sites are of particular interest because they are the northernmost Kerma sites in our concession.

Fig. 2: Map showing the close relations between Kerma cemetery 3-G-16 and rock art site 3-G-18.

The largest rock art site is located at the border between Mograkka and Kosha East, site 3-P-5, with more than 400 individual rock art pictures (Vila 1976, 79‒87). The motifs comprise mostly cattle, antelopes, some human depictions, birds, dogs and other animals (Figs. 3-4).

Fig. 3: Example of rock engravings in 3-P-5. Cattle is the most frequent motif.
Fig. 4: Example of rock engravings in 3-P-5. This boulder shows cattle, but also birds, humans and possibly a dog.

While Vila left the dating as unclear, most of the rock art pictures at 3-P-5 seem to belong to the Kerma period (Budka 2020). Similar to 3-G-18 in Ferka, there are Kerma sites in the close proximity to 3-P-5 which support this dating.

In all phases of the Kerma culture, the dominant motif of rock art is cattle. Of course this reflects the importance of cattle herding to Kerma people – some aspects of which were recently addressed by Jérôme Dubosson at one of our DiverseNile Seminar Series 2022. In the words by Louis Chaix: “Cattle are a key constituent element of the civilization of Kerma. They played a major role in the diet of the population and as a source of secondary products such as milk, hides, and raw materials for making tools. They also contributed to agriculture as traction animals.” (Chaix 2017). Within the DiverseNile project, we aim to address the local role of cattle for the Kerma people by means of a multidisciplinary approach, combining landscape archaeology with bioarchaeology and of course analysing all kinds of archaeological findings like animal bones, animal figurines and engraved figures of cattle in rock art.

Coming back to the question of rock art, the spatial proximity of rock art panels depicting cattle and Kerma funerary sites was already noted by Cornelia Kleinitz in the Fourth Cataract region (Kleinitz 2007). As tempting as it is to link these rock drawings with Kerma funerary cult, at the Fourth Cataract and also in the MUAFS concession, a precise dating of cattle depictions in rock art often remains impossible.

Nevertheless, we will soon be back in the field in Sudan – one of the goals for the 2023 season is to expand the documentation of rock art in our concession, with a special focus on possible Kerma sites. Contextualising rock art sites clearly has much potential for a closer understanding of their date and function.

References

Budka, Julia 2020. Kerma presence at Ginis East: the 2020 season of the Munich University Attab to Ferka survey project. Sudan & Nubia 24, 57-71.

Chaix, Louis 2017. Cattle: a major component of the Kerma culture (Sudan). Edited by Umberto Albarella, Mauro Rizzetto, Hannah Russ, Kim Vickers, and Sarah Viner-Daniels. Oxford Handbooks Online 2017 (April), 15 p.; 4 figs. DOI: 10.1093/oxfordhb/9780199686476.013.2

Kleinitz, Cornelia 2007. Rock art and archaeology: the Hadiab survey. Sudan & Nubia 11, 34-42

Vila, André 1976. La prospection archéologique de la Vallée du Nil, au Sud de la Cataracte de Dal (Nubie Soudanaise). Fascicule 4: District de Mograkka (Est et Ouest), District de Kosha (Est et Ouest). Paris.

…on the traces of Nubian goldsmithing: Gold bezels and goldsmiths

Still on the traces of Nubian goldsmiths, I would like to share some thoughts about a fascinating type and a goldsmith technique common in modern jewellery but already used and widespread in Kerma time: the gold bezel.

Fig. 1: String of carnelian and amethyst beads with a blue-glazed steatite scarab pendant set in gold bezel (K1053) (photo: Markowitz, Doxey, 2014).

Significant for the study of local gold working in Nubia is a scarab necklace with gold bezel from tomb K1053 at Kerma (Fig. 1), dating to the Classic Kerma Period (c. 1700-1550 BCE). This string is composed of carnelian and amethyst beads of different shapes and typologies and a beautiful blue-glazed steatite scarab pendant set in an accurate gold bezel. According to Markowitz, the gold bezel was added and created by Nubian goldsmiths to emphasize the high rank and role of its owner (Markowitz, Doxey, 2014). The elite individual (Body D) of the Classic Kerman subsidiary grave K1053 was a Kerman woman buried with typical personal adornments, such as a silver headdress, a leather skirt with silver beaded drawstring, a necklace of blue-glazed crystal ball beads, a double set of gold armlets and bracelets on her upper and lower arms and this fascinating gold bezel scarab necklace held in her hand (Minor, 2018) (Fig. 2).

Fig. 2: Line drawing of placement of K1053 body D, associated burial goods and the gold bezel scarab string (Su. 1094) (photo: Minor, 2018).

Other interesting gold bezel scarabs are attested from Kerma: a blue-glazed steatite scarab back covered with gold plate (K X B, western part, Body XK); a scarab with gold back-cover and two carnelian sphinxes amulets (K 439, Body B); an uninscribed amethyst scarab uninscribed with a gold mounting (K IV B, Body J) (Reisner, 1923, pp. 198-228-305).

Really fascinating traces of a specific typology of gold bezel come from the heart scarab (SAC5 349) of the goldsmith Khnummose, found with his body in the Tomb 26 (Chamber 6) at Sai Island (New Kingdom, mid-18th Dynasty) (Budka, 2021). This inscribed serpentinite heart scarab, discovered by our PI Julia Budka and her AcrossBorders’ Team (read here more on this extraordinary discovery!), was found in situ with gold foil remains. During the process of cleaning, fragile strips of gold were found close to the head of the scarab and only one piece was clearly attached around the base, suggesting the presence of a bezel, most likely made with a very fine gold leaf. Indeed, the largest gold fragment has a large hole pierced through it, probably connected to the holes of the scarab (Budka, 2021) (Fig. 3).

Fig. 3: Heart Scarab of Khnummose (SAC5 349) in situ with gold foil remains (photo: courtesy J. Budka).

…and if you missed Kate’s post on the 3D reproduction of this heart scarab, hurry up and read it! https://www.sudansurvey.gwi.uni-muenchen.de/index.php/2022/12/06/diverseniles-explorations-in-3d-printing-ancient-nubian-objects/

The heart scarabs were occasionally enclosed in gold mountings in Egyptian jewellery during the New Kingdom, manufactured through the use of two main techniques: the lost wax or the welding of two separate pieces of a gold sheet (Andrews, 1994; Schäfer, Möller, Schubart, 1910). Both are still used in modern jewellery; the second technique allows the creation of a particular type of bezel exclusively used for heart scarabs. It’s a gold bezel that not only holds the base of the scarab but is characterized by a T-cage that supports the funerary amulet along the part of the scarab body called elytra (the closed wings), following their shape (Fig. 4). These gold bezel heart scarabs were hung from a gold chain or tourques through a suspension loop welded on the upper part of the bezel or the perforated scarab and bezel. Excellent examples are dated to the 18th Dynasty: the serpentinite and gold heart scarab of Neferkhawet (MMA 729), early 18th Dynasty, Thebes, Asasif (Fig. 5); the green schist and gold heart scarab of Maruta (Tomb of the Three Foreign Wives of Thutmose III), 18th Dynasty, Thebes, Wadi Gabbanat el-Qurud (Fig. 6); the green jasper and gold heart scarab of Djehuty, 18th Dynasty, Saqqara (Andrews, 1994; Budka, 2021).

Fig. 4: Scarab drawing (photo: Andrews, 1994).
Fig. 5: Heart scarab of Neferkhawet (photo: https://www.metmuseum.org/art/collection/search/545166).
Fig. 6: Heart scarab of Maruta (photo: https://www.metmuseum.org/art/collection/search/548642).

Coming back to Tomb 26, the family tomb of goldsmith Khnummose, there was also an exceptional steatite scarab ring in gold and silver (SAC5 388) of the 18th Dynasty (Budka, 2021) (Fig. 7). It was discovered with the female Individual 324. Among her bodily adornment, there was also an interesting necklace with carnelian and bone crocodile pendants and beads in different materials, such as gold (exactly 180 beads!). The finger ring has a heavy gold setting, most likely made by wax carving and lost wax techniques. The shank of the ring is in silver, while its small domed caps are gilded. The thin gold wire threads through the scarab, the gold bezel and the gilded caps twisting on both sides of the ring and finally fixed in small holes drilled in the silver shank (for an accurate description of these and other beautiful finds from the Tomb 26 do not forget you can find the complete book here https://www.sidestone.com/books/tomb-26-on-sai-island).

Fig. 7: Gold and silver scarab ring (SAC5 388), Tomb 26, Sai Island (photo: Budka, 2021).

The gold bezel seems to be a distinctive feature of the Nubian jewellery, but additionally, these bezels from Sai come from the tomb of a local goldsmith and his family. Khnummose held two titles: “goldworker/goldsmith” and “overseer of goldworkers” (Auenmüller, 2020; Budka, 2021).

Even if with a less sophisticated mounting than the typology of the gold and silver ring from the Tomb 26, another intriguing comparison comes from Aniba and two scarab rings (n.34, n.36; see Budka, 2021, 212). The moving bezel is fixed to the ring by a thin metal wire that passes through the scarab, twisting on both sides of the ring. The ring n.34 is in silver, while the n.36 is in bronze (Steindorff, 1937, 111, pl. 57, nos. 34 and 36).

During the New Kingdom, the scarab mounted in gold remained the most common design for finger rings (Wilkinson, 1971). This technique, the mounting of the gold bezel, characterized by different methods (Maryon, 1971), appears already among the “innovations” of the Middle Kingdom goldsmithing. The first scarab rings were made from a single wire. From the 13th Dynasty the ends of the ring were equipped with grommets through which passed the wire that held the perforated stone. However, friction between the stone and the metal frequently led to shredding, therefore goldsmiths started to create “a metal protection” for the stone: the bezel (Schäfer, Möller, Schubart, 1910).

It has been suggested that the Egyptians adopted this goldsmithing typology and technique from a foreign people, perhaps from the Mycenaean culture where these rings were used (Schäfer, Möller, Schubart, 1910). However, the gold bezels found at Kerma, used as pendants/amulets rather than rings, but also the later examples from Sai, could attest to a local Nubian typology and manufacturing, the possible influence or technology transfer between Egypt and Nubia and the use of different techniques and specific tools already during Kerma times and through the New Kingdom.

References

Andrews C., 1994, Amulets of Ancient Egypt, British Museum Press, London.

Auenmüller J., 2020, Nubisches Gold und ägyptische Präsenz: Pharaonische Goldgewinnung in der Nubischen Wüste, in: M. Kasper, R. Rollinger, A. Rudigier& K. Ruffing (eds.), Wirtschaften in den Bergen. Von Bergleuten, Hirten, Bauern, Künstlern, Händlern und Unternehmern, Montafoner Gipfeltreffen 4, Wien, 37–54.

Budka J., 2021, Tomb 26 on Sai Island. A New Kingdom elite tomb and its relevance for Sai and Beyond, Sidestone Press, Leiden.

Markowitz Y., Doxey D. M., 2014, Jewels of Ancient Nubia, MFA Publications, Boston.

Maryon H., 1971, Metalwork & Enamelling, Dover Publications Inc, New York.

Minor E., 2018, Decolonizing Reisner: a case study of a Classic Kerma female burial for reinterpreting Early Nubian archaeological collections through digital archival resources, Nubian Archaeology in the XXIST century, Proceedings of the Thirteenth International Conferencefor Nubian Studies, Neuchâtel, 1st-6th September 2014, PEETERS, LEUVEN – PARIS – BRISTOL, CT, 251–262.

Reisner G.A., 1923, Excavations at Kerma, Parts I-III,Joint Egyptian Expedition of Harvard University and the Boston Museum of Fine Arts, Harvard African Studies 5, Cambridge.

Schäfer H., Möller G., Schubart W., 1910, Äegyptische Goldschmiedearbeiten, Verlag Von Karl Curtius, Berlin.

Steindorff G., 1937, Aniba. Zweiter Band. Service des Antiquites de l’Egypte. Mission archeologique de Nubie 1929-1934. Glückstadt: Augustin.

Wilkinson A., 1971, Ancient Egyptian Jewellery, London.