Week 5 of our 2023 field season just flew by, especially because of several very disturbing incidents.
On the positive side, we managed to close excavations at site AtW 001, postponed further exploration of Vila site 2-S-54 to next year and made good progress in the Kerma cemetery GiE 003.
AtW 001 will require much post-excavation work – we documented several still standing mud brick walls, there were clearly several phases of building and use. Chloe Ward who did an excellent job this season has already arrived back in Munich and is busy finalizing the stratigraphy and feature description as well as other details from her desk back home.
A small glimpse of the final state of site ATW 001 with various remains of mud brick walls.
Most importantly, we managed to reach the same ashy layer on the alluvial surface like in 2022. It is now also clear that apart from a slight natural slope, most of the mound-like appearance of site AtW 001 is actually composed of settlement debris and especially mud brick debris in several layers.
Excavations at Vila site 2-S-54 came to an unexpected stop – the material culture of the mud brick and stone building is really intriguing and currently being studied by Giulia D’Ercole and myself. Giulia arrived this week and already prepared all the samples from site 2-S-54 we will export for iNAA analysis in order to investigate the provenience of Nile clay wares (see earlier posts by Giulia on this subject, e.g. https://www.sudansurvey.gwi.uni-muenchen.de/index.php/2020/12/22/where-are-you-from-a-diverse-material-perspective-on-this-common-tricky-question/). Of course, a substantial part of our 2023 samples will come from site AtW 001, but here I am still busy reconstructing the large number of complete vessels. More than 10.000 sherds need to be checked for matching pieces and this clearly takes a while.
One of the most remarkable vessels I am currently reconstructing – an „in-between“ cooking pot, combining Egyptian and Nubian pottery traditions.
Finally, much progress was made in the Kerma cemetery GiE 003, where work in Trench 3 was concluded (and yielded a total of 14 new Classic Kerma burial pits, closely resembling our results from 2022) and excavation in Trench 4 is still ongoing. All tombs have been looted in antiquity, most probably in Medieval times, but there are still substantial remains of material culture, especially pottery, beads and remains of wooden funerary beds.
Work in Trench 4 is still ongoing.
One of the most remarkable finds of this season is a small ivory bracelet from Tomb 33 in Trench 3. It was clearly used for a long time, was broken at a certain point, and then repaired by means of repairing holes – this is how we found it deposited in the burial pit. An intriguing object in many respects!
The broken but repaired and thus complete ivory bangle from Tomb 33.
Jose M.A. Gomez, Huda Magzoub, Sofia Patrevita and our team of local workmen got new reinforcement this week: two students from Al-Neelain University in Khartoum have joint us. Tasabeh Obaid Hassan and Mohamed Abdeldaim Khairi Ibrahim have been already extremely helpful at the excavation in the Kerma cemetery and for example very quickly learned to measure targets and outlines of stratigraphic units with the totalstation.
I am very grateful to all team members and looking much forward to the results of week 6!
Our week 3 of the 2023 season was dominated by another drop in temperatures and very windy weather – there were only three days when we could work all day, on the other days too much sand in the air forced us to stop work early and continue with documentation and processing in the digging house.
Most importantly, our totalstation was fixed and is back to its normal daily routine. The wind prevented Kate to do much drone aerial photography, but thanks to the new Trimble Catalyst Antenna she was very busy documenting the landscape and many dry-stone walls in the area of Attab West and Ginis West.
While we were waiting for our totalstation, Chloe, Jose and I continued at the intriguing site 2-S-54, the 18th Dynasty building made of mud bricks and stones located on a steep slope of a rocky outcrop within the district of Foshu. A stunning view to work!
Chloe working at site 2-S-54.Photographing the dense mud brick collapse in the northern part of the structure. We also took 3D models of all surfaces exposed so far.
We exposed more of the surface around the structure and worked on the dense mud brick debris on its interior – more early 18th Dynasty ceramics, including Nubian style pots and also one hybrid cooking pot were unearthed – extremely exciting! A good number of large fragments of sandstone grindstones came to light and these were already documented by Sofia. This could already be a small hint that also this site is associated with goldmining. Modern gold working is carried out in large scale just next to us – in general a nice continuation illustrating the long-lasting impact of the natural resources for this part of the Middle Nile. However, since some of these modern pits and diggings also threaten the archaeological sites, I am rather concerned about this new development at Attab West.
Much progress was made exposing the 18th Dynasty structure at site 2-S-54.
Work at 2-S-54 will continue in week 4, since we moved back to the domestic site AtW 001 with our gang of local workmen during week 3. Here, the dense mud brick debris revealed further complete pottery vessels as well as a very well preserved animal skull, most probably of a donkey.
Well-preserved animal skull in the mud brick debris layer at AtW 001. It was found at the bottom of a slight slope, sourrounded by brick debris and pottery fragments.
There are plenty of other animal jaws and bones in the collapse and it really seems as if most of this debris is partly rubbish. In addition, we have exposed more circular pits, presumably fire pits or storage structures.
More complete pottery vessels were found in week 3 at ATW 001. Especially exciting is the complete zir in the pit on the right of the picture.
Since we have reached a level where the contexts are now quite delicate and also space for work is limited, we moved our team of local workmen to the East bank (this is the “better” bank regarding wind and was thus received with much enthusiasm by the workmen). Jose and Huda started yesterday at the Kerma cemetery GiE 003 with two new trenches, aiming for a better understanding of the distribution patterns of burials at the site. Chloe and Sofia were busy setting up the new fix points and conducting measurements with the totalstation. The first burial pits are already visible in the new Trench 3 and I am sure I will be able to report interesting finds on the next update coming Friday.
Our week 2 of the 2023 season has just ended – having been an intense week with several challenges. First, our totalstation suddenly did not work like it should and we needed to send it to Khartoum – it will be fixed, but of course this meant a stop for excavations at AtW 001. On the positive side, two of our DiverseNile team members joined us this week – Jose and Kate have arrived and are now supporting us in multiple ways. Kate had to fix technical issues with our drone and the new Trimble Catalyst Antenna, but is now all set and started her work focusing on documenting the landscape.
Before we stopped at AtW 001, the results were really impressive. We found several circular or oval-shaped fire pits and excavated more of the mud brick debris on top of the mound in Trench 2. More animal bones and complete vessels showed up. One particularly nice context was an area adjacent to the solid mud brick debris, where one deep bowl, one beer jar, one small pot stand and a lower part of the beer jar were found smashed below mud bricks (Fig. 1). Interestingly, the mud brick debris comprised both red bricks and ordinary mud bricks. The current hypothesis is that the red bricks are simply burnt from a use close to a fire place or possibly kiln.
Fig. 1: Deposit of early 18th Dynasty smashed pottery vessels at AtW 001.
The stop of fieldwork had the advantage that I could invest much needed time for the pottery processing – we have not only large amounts of sherds, but especially a considerable number of complete or almost complete vessels. These all need to be first washed and then reconstructed. Jose kindly helps with the task of reconstruction (Fig. 2) and he also started drawing the first pieces from the uppermost layers.
Fig. 2: Jose doing a great job reconstructing pottery vessels from AtW 001.
Apart from pottery, we mostly have stone tools and re-used sherds and clay weights (including net weights) among the finds. Sofia is updating our find list and also describing the stone tools in our Filemaker database.
Until our totalstation is back from Khartoum, we will focus both on find processing and on drone aerial photography as well as taking measurements with the new Trimble Catalyst Antenna. In order to combine the latter also with some surface cleaning of Bronze Age structures, I chose an area in the district of Attab West in Foshu – this is a densely used area during Kerma times adjacent to the major paleochannel.
While Kate is taking drone photos, Chloe, Jose and I were cleaning the intriguing site 2-S-54, described by Vila as a New Kingdom house with mud bricks supported by schist stones, from wind blown sand (Fig. 3). This building, measuring 6.5 x 3.5m, is located on the south side of a rocky outcrop within the paleochannel on a quite steep slope.
Fig. 3: Much windblown sand covered the structure at 2-S-54.
The task of removing 80cm of windblown sand was extremely rewarding – we revealed in the interior of the building a dense mud brick debris layer as well as occupation deposits and several internal mud brick walls. We documented everything in 3D using photogrammetry (Fig. 4) and will continue excavating this domestic structure. The pottery found so far associates the use of this site with the early 18th Dynasty.
Fig. 4: 3D documentation of cleaned structure at 2-S-54 (photo: JMA Gomez).
Thus, despite of all the technical challenges and modified working plans, we managed to get much work done in week 2. Hoping we will soon return to site AtW 001 with our workmen (and the totalstation), I am for now very much looking forward to investigating 2-S-54 in more detail.
It has been a busy week – arriving in Khartoum, finishing the paperwork, travelling to the north, arriving in Ginis, settling in our digging house, sorting the material and equipment and organizing the gang of workmen for our excavations as well as the boat transport to the west bank. All went very smoothly thanks to great support from our Sudanese friends and colleagues, especially the help of our inspector Huda, our friends Waleed in Khartoum and Magzoub here in Abri as well as our driver Imad and cook Ali.
Just great to be back in oir digging house in Ginis!
We will start with extended excavation in the small settlement AtW 001 – in 2022, a first test trench provided interesting results, suggesting that there was a use at the site from Classic Kerma times through the Thutmoside period (for details see Budka 2022).
We managed to prepare everything for our first day of excavation tomorrow: Chloe and Sofia set up the new grid and took all necessary measurements, I was busy with taking micromorphological soil samples from the section of our 2022 trench – Huda was a great help here, not only in taking working pictures.
Taking our first micromorphological samples at AtW 001.
It was the first time I took these samples using plaster of paris, quick-setting gypsum plaster – and although the sediment is partly very soft and challenging to sample, it worked really well. We hope that the analysis of these samples will allow us a more detailed understanding whether our excavated area was an open space or a roofed space, what kind of activities apart from the visible fire places and the dumping of food waste are traceable and much more! Very exciting, especially since we did not yet find standing architecture although loose mud bricks are present at the site.
Today is our day off and tomorrow we will start week 1 of excavations at AtW 001 with our local workmen – stay tuned, this site is really full of potential!
Reference
Budka 2022 = J. Budka, Early New Kingdom settlement activities in the periphery of Sai Island: towards a contextualisation of fresh evidence from Attab West, MittSAG – Der Antike Sudan 33, 2022, 45‒61.
While winter is back in Munich, Chloe, Sofia and I have safely arrived in Khartoum this night. It’s wonderful to be back in Sudan and we cannot wait to be heading to the north on Monday insha’allah. Paperwork and shopping still need to be done, but then all is set.
In the field in the Attab to Ferka region we will be busy with several tasks:
Excavations at Ginish East and Attab West, especially the continuation of work at the Kerma cemetery GiE 003 and at the intriguing settlement site AtW 001
Survey in various areas, especially on the west bank and into the desert
Drone Aerial Photography in all of the concession area, but especially on the west bank.
Furthermore, we plan some ethnoarchaeological research about pottery making and goldworking/goldsmithing and metal working.
The 2023 team comprises all our ERC DiverseNile staff – Chloe, José, Kate, Giulia and Sofia. I am delighted that our team will be strengthened by two students of Al-Neelain University (Tasabeh Obaid Hassan and Mohamed Abdeldaim Khairi Ibrahim) and one PhD Candidate from the Cotsen Institute of Archaeology, University of California, Los Angeles (Matei Tichindelean). Our NCAM inspector will be our old friend and colleague Huda Magzoub who has been supporting us in the last years.
We have a very promising 2-month season ahead of us and we will keep you updated (if the connection in the north allows it ;-)).
Time passes quickly, we know, especially when good things happen. Only last January with a 9-months pregnant belly – and an inspired although easily forgetful pregnancy brain – I wrote the blog post “Some thoughts around the concepts of materiality, identity and style”. By that time, I already had some ideas jumbling around in my mind, I was reading quite some articles about materiality, entanglement, and style, taking notes, and in a way I wanted to back them up somewhere, in a safe place, before starting my parental leave. Meanwhile, my second baby, Filippo, was born and he is now an eight months healthy and curious boy who crawls everywhere and chews anything (with a preference for books!) all around the apartment. Meanwhile, I have also ended my maternity leave and I am officially back in the office! And there could not be a more excited and effective return than being able to draw on those preliminary thoughts and notes and make them flow into my lecture on “Material meanings, technology and cultural choices. Pottery production in Bronze Age Nubia”, the penultimate within our 2022 DiverseNile Seminar Series of lectures on Landscape and Resource Management in Bronze Age Nubia.
Once again, I wish to express my gratitude to both Julia Budka and Rennan Lemos for having invited me to give this talk. Also, I take the chance to thank the colleagues who were present in the audience and took part in the discussion. For those who have not had the opportunity to attend the lecture, you can find it recorded on our website at the following link: DiverseNile Seminar Series 2022 (uni-muenchen.de). Eventually, I am going to summarize below some of the main topics I covered. In principle, there was the idea of taking stock of the state of the art of my results and current research aims within the Work Package 3 of the project. Also, I meant to compare the large-scope technological and compositional study conducted within the frame of the ERC AcrossBorders project on the ceramic assemblage from the New Kingdom colonial town of Sai Island with the results available from the analysis of the ceramic material from the Kerma/New Kingdom site of Dukki Gel. The latter have been actually already included in our DiverseNile database and together with the Sai Island corpus constitute a pretty massive reference collection of over 300 samples.
Fig. 1: One example for our new samples from the MUAFS concession – here a collection of Nubian-style sherds from the domestic site AtW 001 (photo: J. Budka).
Eventually, I was keen to introduce our new set of samples – 108 beautiful and highly promising ceramic sherds, among which diverse examples of Nubian-style and Egyptian-style wares in Nile clay, selected during our last field season from the region between Attab and Ferka, namely from the sites of Attab West 001, Ginis East 001, and Ginis East 003, two settlement sites and a Kerma cemetery (Figures 1 and 2).
Fig. 2: A summary of the number and provenience of our new set of samples from the MUAFS concession.
For presenting these data, I built up a consistent theoretical frame that provided for the concepts of materiality, style, and “chaîne opératoire”. I started by talking about the meaning that we attribute to objects, not only those with high symbolic value like luxury goods or amulets, but also and above all those objects of domestic use, which we all have in our kitchens and which intersect daily with our traditions, culinary practices, gestures, and phares so that every family, and in a broad sense every culture, has not only its own family lexicon (sensu Ginzburg 1963) but also a familiar lexicon of the material culture that has belonged to it. I have therefore examined the etymology of the word object, from the Medieval Latin obiectum „thing put before“ (the mind or sight), from which comes the idea of the object aseverything that the subject (human/culture) perceives as different from himself. Hence the reference to a long tradition of philosophical and linguistic studies in which the objects, and material culture in the extended sense, has been interpreted according to an anthropocentric one-way perspective mainly as static representation of the (human) subject (for further details see Fahalander 2008). The discussion continued by examining the concept of material culture in archaeology and anthropology with reference to the academic movement of ‘Processual archaeology’ and then in accordance to the ‘post-Processualism’. Eventually, I have talked upon the recently increasing interest on ‘things and materiality’, the so-called New Materialism (see e.g., Olsen et al. 2012) and with it a new way of perceiving the material reality as centred on itself, if not freed by the human subject (it can never be completely so), at least less depended on the human apparatus of symbolic representation and functional meanings. Not by chance in the last decades, we have also witnessed a progressive change of terminology with the use of the words things and materiality gradually replaced that of material culture.
I therefore examined the concepts of materiality and style in reference to the manufacturing sequence linked to the production of Egyptian-style and Nubian-style vessels in Nile clay, with case studies from both Sai Island and Dukki Gel, and thus observed in which stages of the chaîne opératoire were the identity aspects of the aforementioned cultures and ceramic traditions more (or less) emphasized.
Looking at the ceramic manufacture not just as a finished product resulted from the human action and intended for functional, social, and representative needs, but as the outcome of a series of gestures and corporeal actions that take shape in the first place in direct contact with the environment, by means the choice and manipulation of the raw materials, implies putting ourselves in a new multi-scale perspective, so that we can move forward from the anthropocentric dimension and add to the dialectical relation objects vs. humans a third party, namely the environment with its vegetation, animals, bodies, and various materials such as clay, water and sand.
Secondly, can we ask ourselves with greater knowledge and detail “Who produced the vessels?” That is, who, among the Nubian and / or Egyptian potters having their workshops settled in Upper Nubia – most of the analysed Egyptian style and Nubian style Nile wares in Nile clay from Sai Island have showed indeed the same chemical fingerprint (D’Ercole and Sterba forthcoming) – selected the raw material for making their vessels, kneaded the pastes, and then went to shape the pots, to treat the surfaces, to apply the decorations and finally to make the fire? It is plausible to think that if not all, at least some of the gestures and stages of the manufacturing sequences took place simultaneously in the same workshop without a too rigid separation between Egyptian and Nubian production. That is, that the same potter/s possibly prepared and fired together Nubian and Egyptian style vessels and that only the stages related to the production and finishing (those where we have observed the greater diversity of style!) took place separately on the basis of specific technological skills and regional traditions.
It is still plausible to think that in such promiscuous contexts some of the so-called hybrid vessels, showing a mixture of Egyptian and Nubian stylistic aspects and technologies, have taken shape, perhaps initially accidentally, to then become objects possibly intentionally sought and widespread as the expression of a shared use of the same territory and mostly of the progressive entanglement between the Egyptian and Nubian cultures. To what extent were these isolated cases or is it realistic (and ethically correct) to speak about “Creolization” or “Koinezation” of ceramic styles? (for the term koiné and “International artistic koiné” cf., Feldman 2006).
A solid theoretical background combined with a broad-spectrum analytical approach based on the combined macroscopic and microscopic analysis of several ceramic collections from several bordering regions environmentally and culturally highly similar but also extremity distinctive (e.g., Sai Island, Kerma/Dukki Gel, and the Attab to Ferka region) is already allowing us to answer some of these questions and to formulate many others more and more punctual on the way of expanding our knowledge on the complex system of socio-cultural, economical, and ecological dynamics that took place during the Bronze Age period in the various regions of Nubia.
References
D’Ercole, G. and Sterba, J. H. Forthcoming. Chemical analyses of the pottery corpus from the New Kingdom town of Sai. In: J. Budka (with contributions by G. D’Ercole, J.H. Sterba and P. Ruffieux). AcrossBorders 3: Vessels for the home away from Egypt. The pottery corpus from the New Kingdom town of Sai Island. Archaeology of Egypt, Sudan and the Levant, Vienna: Austrian Academy of Sciences Press.
Fahlander, F. 2008. Differences that matter. Materialities, material culture and social practice (127-154). In: Glørstad, H., & Hedeager, L. eds. Six essays on the materiality of society and culture. Bricoleur Press.
Feldman, M. H. 2006. Diplomacy by Design: Luxury Arts and an ‘International Style’ in the Ancient Near East, 1400–1200BCE. Chicago: University of Chicago Press.
Ginzburg, N. 1963. Family Lexicon. Daunt Books.
Olsen, B., Shanks, M., Webmoor, T., Witmore, C. 2012.Archaeology: The Discipline of Things. University of California Press.
Four years have passed since the last International Conference of Nubian Studies in Paris and on Sunday, the 2022 edition of the 15th congress will start in Warsaw.
Rennan, Chloë and I will be attending, and I will present the MUAFS project and its main results of the last years. My paper will give an overview of our activities from 2018 until 2022, with a special focus on the ongoing subproject ERC DiverseNile focusing on the Bronze Age remains. I will introduce our landscape biography approach in the Attab to Ferka region as the investigation of encounters of humans and landscapes in a peripheral borderscape with a longue-durée perspective, considering all attested finds from Palaeolithic times until the Islamic age.
For the presentation, I updated our list of sites and processed some of the quantitative data. At present, a total of 266 sites was documented. This comprises 186 of the 219 Vila sites as well as 80 newly identified sites. This number of sites is still preliminary because parts of Kosha, Mograkka and Ferka on the West bank have not yet been surveyed.
Regarding the types of sites, the most common sites are settlements and burial grounds. However, it is also remarkable that the MUAFS concession includes one granite quarry, one gold extraction site and several rock art sites.
Main types of sites in the MUAFS concession (status 2022).
As far as the dating of the sites in concerned, the majority belongs to the Medieval time. However, Bronze Age sites, here labelled as Kerma and New Kingdom sites, which are relevant to the DiverseNile project are also well represented. There are also several multi-period sites and others were re-used in later periods (e.g. Kerma sites in Medieval times).
Dating of the MUAFS sites. Note that the total number of sites for this table is 283 since several sites were used in more than one period. The Kerma and New Kingdom sites are currently being investigated by the DiverseNile project.
I will also present some general patterns of the distribution of sites throughout the ages. This allows to highlight the importance of environmental parameters and changing landscapes in the region.
Although my last visit to Warsaw was just in May this year, I cannot wait to be back in this beautiful town. I am very much looking forward to the Nubian conference and meeting all the international colleagues working in Sudan.
The 15th International Conference for Nubian Studies in Warsaw is approaching at the end of this month, and I am currently busy preparing my paper. I will give a brief overview of the main results of the MUAFS project in the past years – and thus I revisited some of the sites of major interest between Attab and Ferka.
Until now, our work only focused on the left and right banks of the Nile – but my concession also comprises all the islands of the region. While we still have to visit Firkinarti island close to Ferka with its impressive archaeological remains, Huda and I spent one productive day this January on Gergetti island during our survey season.
Location of Gergetti island between Attab East and Attab West.
Gergetti island is a beautiful island dominated by sandy dunes, located between Attab East and Attab West with an East West extension of c. 1.7km and a North South extension of c. 250m. The landscape and the view to the east bank is stunning – and provides a completely different view of Gebel Abri than I was used to when working on Sai island.
View from Gergetti island towards the Southwest, with Gebel Abri in the background.
Vila documented two sites on the island – the better preserved one is 2-S-21, a fortified village of 110 x 70m in size which Vila associated with the Terminal Medieval period (Vila 1977: 32-37) in the southwestern corner of the island. He provided an excellent map of the site, and we could follow in his footsteps and check the present day preservation.
Location of site 2-S-21 on Gergetti island.
The enclosure wall has a hexagon shape and is made of mud brick with blocks and pieces of schist stone. In the southern part, the enclosure has already partly collapsed in the times of Vila, but the buildings in the interior are still very well preserved.
Plan of the fortifed village by Vila (1977).
Overview of the interior of the site in January 2022.
A dozen of preserved mud brick houses are square or rectangular buildings with one very small room in the back and a larger room in the front. Such a layout as well as the general appearance of the settlement 2-S-21 seems typical of the Funj period. Much progress in research on Funj house architecture has just been made in the last years, most prominently by the UMMA project at Old Dongola. In one of their recent publications, Obłuski and Dzierzbicka point out the main characteristics and differences to the medieval Nubian house types. They also mentioned Gergetti island as a close parallel to Old Dongola (Obłuski & Dzierzbicka 2021, 237, 242).
One of the houses along the northern wall (view to west).
Especially since research of Funj period domestic architecture between the Second and Third Cataracts is still limited, the site 2-S-21 has much potential for future exploration. It became obvious that the map of Vila, as useful as it is, needs to be improved in several respects and that some buildings were also omitted on his plan. One possibility would be to document the site by drone aerial photography and thus to generate a new georeferenced 3D model as well as detailled plans. Excavations should also be undertaken in selected parts of the town, especially for clarifying building phases. The earliest phase of the settlement would be extremely relevant – not only for further comparisons with Old Dongola and other sites, but also from a historical view for the region of Attab to Ferka. Apart from the architecture, the material culture will give important information on the fine dating (as well as on so many other questions like room function, activities etc.). There is plenty of pottery on the surface, including nice painted wares and we also found one small piece of glazed ware. Without doubt, undisturbed contexts more useful for dating can be expected below some of the collapsed walls.
The state of preservation of the buildings at 2-S-21 is just amazing.
For now, Vila’s association of the site with Late Medieval times should be modified as most likely Funj period – more on this will follow when we return to the beautiful island of Gergetti.
References
Obłuski, A. and Dzierzbicka, D. (eds) 2021. Old Dongola: development, heritage, archaeology. Fieldwork in 2018-2019. Volume 1: Excavations. Polish Publications in Mediterranean Archaeology 1. Leuven et al.
Vila, A. 1977. La prospection archéologique de la Vallée du Nil, au Sud de la Cataracte de Dal (Nubie Sudanaise). Fascicule 6: Le district de Attab, Est et Ouest. Paris: CNRS.
One of our objectives within the DiverseNile project, to reconstruct cultural encounters based on the material record by the detailed assessment of the most important productive activities, technologies and foodways, has received plenty of new material evidence during the 2022 excavation season. Most importantly, thanks to the support of NCAM and especially our inspector Huda Magzoub, I was able to export a selection of pottery samples for scientific analysis to Germany. These new samples from our excavations in Ginis East (sites GiE 001 and 003) and Attab West (site AtW 001) are of huge importance for the project, especially because due to the restrictions caused by the corona pandemic for archaeological fieldwork in the last two years, we could until now only investigate the petrography of ceramic samples from Dukki Gel.
Such a privilege: unpacking ceramic samples in Munich just one month after excavating the sherds and their contexts in Sudan!
This ties in with what our PostDoc Giulia D’Ercole has summarised in a recent paper: „For over seventy years, theoretical approaches and methods of classification of ceramic objects in Sudan have gradually changed, as have the perspectives and the general purposes of archaeological research. In general, scholarly attention has progressively shifted from forms (i.e., decoration and shape) to mineral and chemical compositions of ceramics and vessel contents (i.e., petrographic, compositional, and organic residue analyses)“ (D’Ercole 2021). This changed focus already influenced our research within the framework of the AcrossBorders project and is now continued with the DiverseNile project.
The analysis of the material culture in Work Package 3 of the DiverseNile project is undertaken from a multi-perspective level, including scientific analyses focusing on provenience studies (e.g. ceramic petrography and iNAA, see already D’Ercole and Sterba 2018). For the ceramics, we will combine macroscopic observations with analytical approaches and evaluate the results of optical microscopy (OM) and chemical analyses (XRF and iNAA) in conjunction. Together with LMU colleagues, Giulia has also introduced Raman spectroscopy as a new application to answer various technological questions, in particular on the manufacturing stages of production and firing of the pots. This will especially help to understand questions about local productions and influences of Nubian ceramic traditions for preparing wheel made pots in the Middle Nile region.
In the last days, I was busy preparing the documentation of our new ceramic samples from Ginis East and Attab West. I selected twenty-one samples for optical microscopy (OM) and thus for the preparation of thin sections, while I will bring 108 samples later this week to the Atominstitute in Vienna where they are being analysed for instrumental Neutron Activation Analysis (iNAA) by our colleague and external expert in the project, Johannes Sterba.
Documenting a set of early New Kingdom samples from Attab West.
The new samples comprise sherds of various surface treatments and different fabrics of the Kerma ceramic tradition as well as diverse Egyptian style wheel made samples of which the majority seems to attest to a local pottery production in the Attab to Ferka region. Photographing the samples, I was again struck by the extremely interesting appearance of the material from the domestic site AtW 001. Although I know that the scientific analyses will take some time and I need to be patient, I cannot wait to integrate the results from iNAA and petrography with my archaeological assessment and macroscopical observations and discuss them further with Giulia and Johannes.
Like Aaron M. de Souza and Mary F. Ownby very truly remarked in a recent paper: more micro-analyses of Nubian material culture need to be undertaken to achieve a better understanding of cultural diversity in the Middle Nile (de Souza and Ownby 2022, 55).
References
D’Ercole, G. 2021. Seventy Years of Pottery Studies in the Archaeology of Mesolithic and Neolithic Sudan. Afr Archaeol Rev 38, 345–372. https://doi.org/10.1007/s10437-021-09432-y
D’Ercole, G. and Sterba, J. H. 2018. From macro wares to micro fabrics and INAA compositional groups: the Pottery Corpus of the New Kingdom town on Sai Island (northern Sudan), 171–183, in: J. Budka and J. Auenmüller (eds.), From Microcosm to Macrocosm: Individual households and cities in Ancient Egypt and Nubia. Leiden.
de Souza, A.M., Ownby, M.F. 2022. Re-assessing Middle Nubian cultural constructs through ceramic petrography. Afr Archaeol Rev 39, 35–58. https://doi.org/10.1007/s10437-022-09473-x
One thing that always strikes me on excavations is the bizarre feeling of time one develops – it seems ages ago that we left Munich, but also years ago that we closed the excavation in Attab West (on March 31) and also as if at least a week has passed since we left Ginis yesterday morning!
Well – here we are – getting ready to leave this beautiful country with its rich archaeological and cultural heritage tonight after a very successful season´and a busy day in Khartoum with final paperworks and preparing accounts.
A summary of the 2022 spring season will follow soon – for now I am really grateful to all international team members, our wonderful inspector Huda Magzoub and all the other extremely helpful Sudanese colleagues at NCAM! Many thanks!
We collected large amounts of data from Ginis as well as Attab that will keep us busy in the next months! And hopefully we will be back in our concession area with its stunning landscape later this year!
